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From: [email protected] [mailto:[email protected]] 
Sent: 23 December 2012 08:45
To: Digest Recipients
Subject: [HG-new] Digest for [email protected] - 2 Messages in 1
Topic
 
   Today's Topic Summary
Group:  <http://groups.google.com/group/hurdygurdy/topics>
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*                                branle de C hevaux [2 Updates]
  <http://groups.google.com/group/hurdygurdy/t/1a4441278a90e56c> branle de C
hevaux
"michael" <[email protected]> Dec 22 12:28PM  

Here's a video snippet of the dance we do to Branle des Chevaux...not 
rocket science, but enjoyable.
_http:// <http://www.youtube.com/watch?v=YaMJuJ3smsI>
www.youtube.com/watch?v=YaMJuJ3smsI
<http://www.youtube.com/watch?v=YaMJuJ3smsI
<http://www.youtube.com/watch?v=YaMJuJ3smsI
<http://www.youtube.com/watch?v=YaMJuJ3smsI&list=UU_LtSr8oWIhx_Baeqy5RWGw&in
> &list=UU_LtSr8oWIhx_Baeqy5RWGw&in
> &list=UU_LtSr8oWIhx_Baeqy5RWGw&in
> &list=UU_LtSr8oWIhx_Baeqy5RWGw&in
dex=17_ 
(http:// <http://www.youtube.com/watch?v=YaMJuJ3smsI>
www.youtube.com/watch?v=YaMJuJ3smsI
<http://www.youtube.com/watch?v=YaMJuJ3smsI
<http://www.youtube.com/watch?v=YaMJuJ3smsI
<http://www.youtube.com/watch?v=YaMJuJ3smsI&list=UU_LtSr8oWIhx_Baeqy5RWGw&in
> &list=UU_LtSr8oWIhx_Baeqy5RWGw&in
> &list=UU_LtSr8oWIhx_Baeqy5RWGw&in
dex=17> &list=UU_LtSr8oWIhx_Baeqy5RWGw&index=17) 


[M: congrats. Good rhythm & flow, the best I've heard. But the flattened
7th is intrusive and unnatural (oops. pun is accidental) and is not in the
original! It's awkward to sing, too. This is not 14th cent plainsong , and
even if it were..! the dance looks enjoyable, too. M: end.]
 
Graham Whyte <[email protected]> Dec 22 01:17PM  

Michael,
 
The flattened 7th IS IN Abeau's original version
 
See Orchesography pp 165-167 (Dover Edition)
 
Its scored in G with no F#s except for the penultimate note which Arbeau
clearly marks as F# as a cadence
 
Graham
Dear Graham,
Permit me to explain.
Music notation in the 16th & 17th centuries was still developing and was not
expressed as it is today.
In quoting from the most authoritative book on the subject, the
Interpretation of Early Music, Robert Donington, Faber 1977, I find it hard
to decide which of many relative paragraphs I should quote, so I will simply
distil it into my own words.
 
The first accidental is commonly omitted where we would expect to find a key
signature, and only the 2nd and subsequent accidentals would be shown, so D
maj would show only c sharp, but the final note would be d, thus confirming
the key of the piece. 
 
By the same rule if the piece is in G the f# would not be shown but the
music leaves no doubt about the keynote. A change was taking place from the
old modal notation where f natural would be the norm and the newer style
where f sharp is the norm and by putting a sharp at the end he is showing
that there should not be a whole tone cadence. This assisted the slow
development of modulation of key.
 
G Zarlino 1558. (p 137) there are some who in singing sharpen or flatten a
melody in a case where the composer never intended - as when they sing a
tone instead if a semitone or the other way about. By this they not only
offend the ear. Singers should take care to sing only what is written
according o the mind of the composer.
'The ear is the best judge.' 
P 129 in baroque music, a key signature may often show one sharp or one flat
short of the number required, the deficiency being subsequently made good by
accidentals throughout the piece a required. 
 
I hope this misunderstanding is now resolved.
Michael plus
 

 
On 22/12/12 12:28, michael wrote:
 
Here's a video snippet of the dance we do to Branle des Chevaux...not
 
rocket science, but enjoyable.
 
_http://www.youtube.com/watch?v=YaMJuJ3smsI
 
<http://www.youtube.com/watch?v=YaMJuJ3smsI
<http://www.youtube.com/watch?v=YaMJuJ3smsI&list=UU_LtSr8oWIhx_Baeqy5RWGw&in
> &list=UU_LtSr8oWIhx_Baeqy5RWGw&in
 
> &list=UU_LtSr8oWIhx_Baeqy5RWGw&in
 
dex=17_
 
(http://www.youtube.com/watch?v=YaMJuJ3smsI
 
<http://www.youtube.com/watch?v=YaMJuJ3smsI
<http://www.youtube.com/watch?v=YaMJuJ3smsI&list=UU_LtSr8oWIhx_Baeqy5RWGw&in
> &list=UU_LtSr8oWIhx_Baeqy5RWGw&in
 
dex=17> &list=UU_LtSr8oWIhx_Baeqy5RWGw&index=17)
 
[M: congrats. Good rhythm & flow, the best I've heard. But the flattened 7
th is intrusive and unnatural (oops. pun is accidental) and is not in the
original! It's awkward to sing, too. This is not 14 th cent plainsong , and
even if it were..! the dance looks enjoyable, too. M: end.]
 
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