Hi,

I built my own sinfonia as well as my own hurdy gurdy.  Initially I built
the sinfonia because of past experience with an HG player who played in my
medieval ensemble briefly.  it was way too loud and the trumpet really
doesn't suit the music.  but then again this is personal taste, although
the trumpet is a later invention.  some sinfonias have one nevertheless,
not sure of their effectiveness.

There are chromatic sinfonias, again not authentic, but could be a good
compromise, although I find no issue playing my diatonic sinfonia.  I
adjust my tangents beforehand  so  I can play major or minor.. as for
quarter tones to play maqams, stick to the Oud in my opinion, but you can
bend  notes on an HG or sinfonia, and since you can adjust the tangents you
could adjust them a quarter tone...but don't expect to get all the
microtones you would want... problem in arabic arabic quartetone music is
that you need to both play the true note, say E as well as the microtone
above E...if you push harder on the string when you play you can probably
get the quartetone above but its more of a bending of the note , rather
than hitting the note right on

good luck

Bruno
Oud, lute, sinfonia player

www.estavel.org



On Wed, Mar 27, 2013 at 7:02 PM, Kim Browers <[email protected]> wrote:

> Greetings!
>
> My first message appears to have been lost in cyberspace, so I apologize
> if this is a repeat!
>
> I have seriously been wanting a hurdy gurdy for about 15 years, but have
> never been able to justify the money for an instrument I've never played.
> However, I have decided to take the plunge!  I'm looking to get my very
> first vielle a roue, and am seeking some experienced advice!
>
> I'm primarily considering a Medieval reproduction "Symphony" model.  From
> what I understand, these generally have 3-4 strings, no trompette and are
> quieter than later period/modern models.  They appeal to me for their
> Medieval music appropriateness, quietness for acoustic accompaniment of
> vocals, and diatonic scale for ease of learning (fewer buttons!).  The
> negative side is that the lack of trompette will eliminate what makes a
> hurdy gurdy sound so distinctive!  I have also heard negative comments
> about a generally unpleasant/inferior sound quality from these
> models.  From what I gather, the same features that make it simple may make
> it TOO simple to be worthwhile.  I also play a variety of ethnic music, and
> want to use one instrument for both genres if possible.  However, the
> diatonic scale would make Maqams and micro tones impossible to play, which
> is obviously extremely limiting.  There are some hybrid options for
> Symphony models with a Medieval exterior, aesthetic and basic construction,
> but have a trompette, and at least a 24-key chromatic scale.  Some even
> have pickups included.  My concern is if I am intending to use this as a
> Medieval reproduction, will it compromise the integrity if I decide on a
> hybrid?  Or is that given a general pass, as long as liberties aren't taken
> with the music itself?
>
> And then there are the websites of manufacturers on the internet that I
> have frequented, but really know nothing about.  I'm looking for advice
> from someone who has played the Symphony style, what to look for, what to
> stay away from, some reviews of manufacturers, etc..  If this isn't the
> best instrument for an absolute beginner, I will also weigh that in as
> well!
>
> Any and all info is appreciated in advance! I'm very excited that
> this group even exists!
>
> Cheers,
> Kim
>
>
>
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-- 

Bruno Cognyl-Fournier

www.estavel.org

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