>From Wikipedia:
"By  the end of the 17th century changing musical tastes demanded greater 
polyphonic  capabilities than the hurdy gurdy could offer and pushed the 
instrument to the  lowest social classes; as a result it acquired names like 
the 
German Bauernleier ‘peasant’s lyre’ and Bettlerleier ‘beggar’s lyre.’ 
During the 18th  century, however, French _Rococo_ 
(http://en.wikipedia.org/wiki/Rococo)  tastes for rustic diversions brought  
the hurdy gurdy back to 
the attention of the upper classes, where it acquired  tremendous popularity 
among the nobility, with famous composers writing works  for the hurdy gurdy."
 
 
In a message dated 6/28/2014 1:09:51 P.M. Central Daylight Time,  
[email protected] writes:

Hi folks,  


I’ve mislaid my copy of Vol 1 Shepherds Delight and I  would appreciate 
your assistance.
I would like to know how popular the HG was in 18th  cent France. I have 
the sense that it was the  domestic instrument instrument of choice of the 
educated classes  for 100 years from about 1680.but have no positive proof.  
Apparently it is frequently mentioned in literature of the period  but… 
Perhaps un francais could help?
We know the dates of the composers so a listing of the  number of their 
compositions combined with a list of  teaching methods would be an indicator of 
popularity.  A chart might  show how the popularity varied throughout the 
period.
It is interesting that he methods are almost identical  and seem to emanate 
from one source, each person giving his own name as the  author. 
Incidentally, since I am no longer able to produce  further editions of our 
Method I have an offer from a music publisher to  do so! I have always said 
that as long as new makers are busy there will  be a demand for this book 
and this seems to be the case. There will be  additional sections especially 
for beginners. Vive la vielle!



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