At 10:33 PM 10/31/99 EST, you wrote:
>In a message dated 10/31/99 2:54:53 PM Eastern Standard Time,
>[EMAIL PROTECTED] writes:
>
>> 4 on the floor with plinky melodies and
>> jumpy bases
> how can you talk about the "same shit" when you have 4 on the floor bull in
>your own work?
>-matt
Hey we all have opinions don't we. Although he didn't like my song, I'm not
gonna make music that sounds like Robert Miles any time soon (like not in a
bazillion years) but that doesn't mean we can't be civil now does it.
Besides I love my 4 on the floor as much as (or even more) than the next guy.
Ok to make this post not a total waste, here is a little trick I thoght up
while practicing djing with double copies of a record:
Make a nice beat and put the snares or claps or whatever on their own track
(i always use track 5 for snares, just so I dont' have to remember what
goes where in each different song) Now put that phrase in another track
(track 6, lets say) with the same voice and velocity and cutoff etc. Now,
mute the new track, change the clock shift and then mute/unmute it. It
sounds kind of like playing two copies of a record out of phase by a half a
beat or whatever and then slamming in the out of phase record when it's
snare hits. Keep tweaking the clock shift knob and unmuting the second
snare hit in time. You can do some cool sounding stuff. Make the clock
shift -240 one measure, then +240 the next. etc etc.
>
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