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Author Name: Ruediger Schmidt
Contact Email Address: [email protected]
WebSite: http://DrawingSecrets.com
Category: Visual Arts, Arts and Crafts, Crafts, Painting, Drawing
Description: It seems that a lot of beginning artists who wish to get started 
on right from scratch and draw a portrait of somebody they know or somebody 
popular. Sketching fantastic portraits is like the holy grail of sketching. 
Producing natural and living portraits needs a top level of skill next to 
mastery. Luckily you are able to learn these skills much easier, if you learn 
them separately.
Keywords: how to draw, draw portraits, how to draw portraits
Word Count: 1548

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Article Content:

I know numerous starting artists who would like to start out from scratch and 
sketch a portrait of someone they know or someone famous. Drawing excellent 
portraits is a lot like the holy grail of drawing. Producing real looking and 
living portraits demands an increased level of skill next to mastery. Luckily 
you possibly can learn these skills less difficult, when you learn them 
separately.

The first step is learning to sketch the different characteristics in the human 
face. By separating single characteristics and drawing them separately you 
possibly can learn faster. You'll give full attention to practising one 
characteristic at the same time. This means you transform your understanding 
and knowledge of the details. Fill several sheets of paper with eyes, noses etc 
and you'll receive a feeling how they look and how to sketch them. But never 
sketch too small. Two eyes, mouths or noses on one page (letter or A4 sized). 
That leaves you enough space for details.

Now you have to means arranging all you will have acquired when drawing the 
characteristics one at the same time. You should put the facial characteristics 
in right proportions, distances and layout in order that they fit together and 
the big picture is sensible. So what's the right structure? Here are a few 
rules that will allow you to put the characteristics on the appropriate 
locations:

* The eyes can be found midway between the top of the head and the chin. This 
is one of the most critical lessons to understand when drawing portraits. Many 
(me, too) are likely to put the eyes too high, and so the portrait gets a flat 
forehead. It looks like it's some optical illusion that makes us believe the 
eyes are placed higher than they are.

* Another problem with the eyes is their positioning on the left and the 
appropriate. In between them there needs to be adequate space for exactly 
another eye. Exactly the same for the left and appropriate - between each eye 
and the border of the face is adequate space for another eye. Altogether a 
human face has adequate space for five eyes in a row (although this would look 
somewhat strange).

* As we have been placing so many eyes into one face, let's add two more. This 
occassion they help us to position the eyebrows where they fit in. The distance 
between the eyebrows and the eyes is the same as the eyes' height

* Then the underside of the nose is found midway between the eyes and the chin

* Midway between chin and nose is the mouth

* The mouth's corners can be found below the middle of the eyes. But this tends 
to differ considerably with there being a lot of people with wider or narrower 
mouths

* The ears' top begins exactly where the eyebrows are and their bottom may line 
up with the bottom of the nose. But these measures can vary as people have lots 
of diversely sized and formed ears.

Utilizing these rules you should be able to position the facial characteristics 
the right way. But constantly keep in mind: these measures and locations are 
idealized! In fact these measures will fluctuate a little bit. That's what 
makes up the individuality of a human face.

And that's what the most important talent for portrait drawing is about. You 
must get good at this 3rd talent to sketch portraits that resemble the original 
model. Each human face has its individuality and looks special. There are 2 
reasons for this:

* Very first the facial features alone differ a little bit by contour, color or 
size (for instance wide vs. thin noses, thicker vs. thin lips, etc.)

* 2nd, the structure of the facial features differs a little bit from the 
idealized measures I revealed you previously. The eyes can take a position 
somewhat narrower, the chin may be stronger or weaker. Finally this changes the 
complete structure of the face and creates individuality and uniqueness.

The important thing for drawing resembling and live like portraits is to catch 
these negligible variances and bring them to paper. This demands much exercise 
and a educated eye. But the more portraits you sketch the greater you're going 
to get and the much more resembling your portraits will look.

So what on earth do you think you're waiting for? Start drawing portraits!
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Author Biography:


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