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Author Name: Ruediger Schmidt
Contact Email Address: [email protected]
WebSite: http://DrawingSecrets.com
Category: Visual Arts, Arts and Crafts, Crafts, Painting, Drawing
Description: The simplest way to begin mastering human body proportions is 
usually to study the traditional division of the human body in to 8 equivalent 
segments, from the top on the head to the base of the foot. Each of these 8 
elements is around the size of a head.  The 4 lower elements are the legs. The 
knee cap is located on the 2nd division. The waist is usually on the fifth and 
the top part features the head.
Keywords: how to draw the human figure, learn to draw the human body, learn to 
draw
Word Count: 1804

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Article Content:

The simplest way to begin mastering human body shapes and sizes is usually to 
examine the classic division of the body into eight equal parts, starting with 
the top of the head to the base of the toes. All these eight parts is actually 
roughly the dimension of a head.  The 4 lower parts include the hip and legs. 
The knee cap is positioned on the 2nd part. The waistline is within the 5th and 
the top part contains the head.

Remember  all these are idealized measures. No two different people look 
precisely the same (with the actual exclusion of identical twins) therefore you 
have to change the body shapes and sizes slightly in order to depict a 
particular model. For instance the majority have a slightly bigger head and 
shorter hip and legs compared to this traditional template. Alternatively if 
you want a much more exaggerated look, just like a comic superhero, you might 
want to exaggerate particular parts ( especially those associated with his/her 
superpowers).

That is certainly all not at all hard if you're drawing somebody just located 
straight up. However normally you need to include perspective and motion to 
your persona; cause him to flex, leap or even crunch for example. Then it 
becomes much more difficult to check the actual dimensions of the diverse body 
parts, an arm stretching in direction of the viewer will seem to be shorter and 
so on. To get around this specific challenge you should think of the body like 
a collection of basic figures. If you think regarding the arm as a cylinder it 
will be much simpler figuring out how it will look like in 3D.

 Get hold of a wood drawing mannequin and put it on your table. The mannequin 
consists of uncomplicated forms and it is a great way to figure out how to 
maintain the body part sizes within perspective as it moves in various ways. 
Continue training and you are going to see you get the hang of it rapidly.

An additional technique that assists you to learn moving human figures needs 
you to learn the basic bone structure belonging to the human figure. The actual 
bone structure determines most of the shapes and sizes and overall shape of the 
body so if you realize and understand this, and you can use the information for 
your drawing; you have half the job completed!

If you examine a diagram of the bone structure, you can observe that the human 
body is made of 3 solid masses, the head, the chest and the hip. They're 
coupled together through the spine which regulates the movement of these three 
masses. This is essential to note that although the head, chest and also the 
hip can move on their own from one another, they're coupled and the movement of 
one body part usually influences the other parts. If your head moves, the chest 
usually moves too and so forth.

While mastering bone structure you'll discover that the bones are rich in 
little odd forms and irregularities. Being an artist its not necessary to get 
too concerned with these, but focus your attention on the main fundamental 
forms and shapes and sizes. You must also know the forms of the bones that are 
not covered with muscle tissues, such as the elbow, the clavicle etc, but 
details that are concealed below the surface you really do not have to to be 
concerned much about.

When you finally trained enough making use of drawing mannequins and studying 
the bone structure, you're ready to perfect your talents. Sketching from real 
life is an excellent approach to improve your skills in drawing the human 
figure. Not only are you going to transform your familiarity with the shape and 
shapes and sizes of the body but you'll also understand where to add shadings 
and shadows and how to sketch all those little details which make a drawing 
more exciting and natural.

When drawing having a model it is advisable to vary the times for the various 
poses. Longer poses, maybe Ten or 15 minutes each, which usually will provide 
you with time to concentrate on many details as well as shading, alternated 
with speedy Thirty second poses. 30 seconds may appear extremely fast as well 
as absurd, but this will force you to concentrate on the main shapes. You'll 
learn to rapidly see what is crucial to produce a realistic drawing, and what 
is not.

Only one more note: if you do not convince a good friend to pose for you 
personally, take a look at nearby artist groups. They may be planning training 
courses with the help of live models on occasion.
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