how were the non miked non amplified objects recorded?
Date: Mon, 15 Aug 2011 20:58:12 +0200
From: [email protected]
To: [email protected]
Subject: [Igua] www.panyrosasdiscos.net [pyr40] lali barriere, miguel a.
garcía, tomás gris - chamber music
pyr040 barriere, garcía, gris – chamber music
download album mp3/flac
bowed metal. electric hum. squeals and squelches. fractured
percussions. is it live? is it electro? low rumbles and fluttering
squeaks. droning tones while construction labors away underneath it all.
wheels and gears. pulsing menace threatens to break free. voices in the
dark. clicks and pops. insects learning. atmospheric radio signals,
clouds roll in. ambiguity.
lali barriere, miguel garcía and tomas gris documented this
improvised electro-acoustic session in february of 2011. objects were
miked, amplified, not miked, not amplified, etc. electronics were used.
17.54 minutes.
recorded live in arphouse, madrid, 11-2-11. edited by miguel a.
garcía. mastered by ferran fages & tzesne. drawing by raúl domínguezmusic by
lali barriere – objects, miguel a. garcía – electronics, tomas gris – objects
a trio of sound artists, manipulators, mathemeticians, improvisers,
etc. lali barriere plays amplified objects, cracklebox, etc. alone and
with others. he’s also known to work with pure data and field
recordings. soundworker miguel garcía plays in cooloola monster, plays
solo, collaborates with numerous and curates festivals. tomas gris tends
to experiment with prepared turntables, mixers and contact microphones.
web presences
lali barriere
miguel garcía
tomas gris
_______________________________________________
Igua mailing list
[email protected]
http://mail.creadoreslibres.net/mailman/listinfo/igua_creadoreslibres.net
_______________________________________________
Igua mailing list
[email protected]
http://mail.creadoreslibres.net/mailman/listinfo/igua_creadoreslibres.net
