Christopher Pinney Professor of Anthropology and Visual Culture at the University College London and the author of Camera Indica and Photos of the Gods: The Printed Image and Political Struggle in India will be giving a series of lectures at the School of Arts and Aesthetics Jawaharlal Nehru University February & March 2006. S.A.A. Auditorium
Time 11am to 1pm All are cordially invited Lecture schedule 21ST FEB 1. The Coming of Photography in India. What theoretical models are most useful for the understanding of photography's impact in India from 1840 onwards? In addition to surveying early photographic practice in India the lecture discusses the usefulness of approaches developed by Adorno, Benjamin, Tagg and Batchen among others. 23RD FEB 2. Photography as Vernacular Practice. Was there/is there a vernacular/ anti-colonial/postcolonial photography? The lecture looks at India appropriations of photography and different theoretical approaches to this. 7TH MARCH 3. Picture production and colonial law. Considers the impact of colonial censorship on the nature of image production between 1880-1947. Looks in detail at terms of the 1867 and 1910 Press Acts and studies specific prescription cases to provide a grounded account of the interaction between artist, publishers and the state. 9TH MARCH 4. The Rise of Nathdwara. Although Ravi Varma is frequently described as "the father of calendar art" it is striking that his naturalist mimicry was largely dislodged by a neo-Mewar style (associated with Nathdvara) form the late 1920s onwards. How should this transformation be best understood? 28TH MARCH 5. Picture production from 1950 to the present. The lecture surveys developments since Independence, focussing on three practitioners: B.G. Sharma, Yogendra Rastogi and H.R. Raja who represent very different aesthetics and lineages. Current trends and the state of the market in 2006 will also be addressed. 30TH MARCH 6. The Political Economy of Gloss. Indian visual culture is often described as being characterised by "inter-ocularity". This lecture examines the images deployed in the 2004 national elections and explores resonances between the images of "India Shining" and film publicity. What implications does the failure of this campaign have for our conceptualisation of visuality in contemporary India? ============================================== This Mail was Scanned for Virus and found Virus free ============================================== _______________________________________________ in-enaction mailing list http://mail.architexturez.net/mailman/listinfo/in-enaction + Architexturez collaborative at http://portal.architexturez.org/
