MPAA: “Democratizing Culture Is Not In Our Interest”

        • Ernesto
        • 20/04/2011

http://torrentfreak.com/mpaa-democratizing-culture-is-not-in-our-interest-110420/

MPAA Vice President Greg Frazier has made some interesting comments on 
copyright and widespread Internet piracy during a lobbying visit to Brazil. 
Among other things, Frazier told a local newspaper that democratizing culture 
is not in the interests of the MPAA. As it turns out, the MPAA’s definition of 
creativity and culture is a rather narrow one that is quite different from that 
of the general public.

The MPAA sent its Vice President Greg Frazier to Brazil this week to carry out 
some damage control.

Last year the former president of Brazil posed with Pirate Bay founder Peter 
Sunde and vowed not to cave in to the interests of the copyright lobby. But 
with the change of leadership the MPAA sees new chances, and so Frazier went to 
Brazil to convince local politicians that tougher anti-piracy laws are needed.

In common with most Latin American countries, piracy is widespread in Brazil. 
According to a recent study more than half of all people living in urban areas 
regularly pirate movies, something the MPAA believes has to be stopped.

In an interview with local newspaper Folha, Frazier commented on the threat 
piracy poses to the major studios, responding with the classic textbook answers 
we’ve heard hundreds of times before.

“If you do not believe in the value of creativity, the importance of protecting 
it and the need to reward those who produce, then maybe you can justify piracy. 
But in that case you’ll be doing great harm to culture,” Frazier said. Please 
note the words ‘creativity’ and ‘culture’ in his answer, as we’ll come back to 
that later.

The reporter then went on to ask how important copyright really is when 44% of 
households in Brazil are not connected to the sewer system. Not really a fair 
question, but Frazier made it very clear that even when people are starving it 
would be immoral to ‘steal’ entertainment from U.S. corporations.

“Obviously, governments and societies have to work to make sure that the 
population has access to the basics in order to survive, but that does not mean 
you should ignore other things. Companies must live together because they 
respect each other and respect that people do not steal from one another. Even 
if you battle to put food on your plate, it is immoral to steal,” he said.

Things got more interesting when Frazier responded in a surprisingly open 
manner when asked about Creative Commons licenses, which allow for a more 
flexible approach to copyright. Creative Commons licenses are very popular in 
Brazil and the reporter wanted to know what the MPAA’s view on this approach is.

“They [Creative Commons supporters] don’t always agree with what we advocate,” 
Frazier responded. “And you are talking about democratizing culture, this is 
not in our interests. It really isn’t my interest.”

Although this answer may not really come as a surprise, combined with his 
previous answers it shows how subjective the MPAA’s view on creativity and 
culture is. According to the MPAA piracy is ruining culture, but at the same 
time they are not allowing others to use even tiny snippets of their works.

The MPAA is apparently only interested in creativity and culture when it 
applies to the works their studios produce. Needless to say, this isn’t 
necessarily what’s most beneficial to society. The MPAA is merely protecting 
their corporate interests.

For the general public, culture and creativity are probably better off with 
less restrictive copyright laws. This doesn’t mean that it should be okay to 
pirate every Hollywood blockbuster, but the laws that are put in place to 
please the movie studios are the same ones that cripple the creativity of tens 
of thousands of other artists and the public at large.

To the MPAA and many others in the entertainment industry, copyright has little 
to do with the word right, nor with creativity and culture. Instead, it’s a 
restrictive tool that allows works to be traded, leased and licensed in return 
for money.

Indeed, democratizing culture is not in the MPAA’s interest, but maximizing 
profits and control is.
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