Most radio listening takes place in the car or while doing other things that allow freedom for the ear, but not the eyes and hands. Podcasts permit a shift of listening time from a set appointment to virtually any convenient occasion. I do it while “power walking” (most) every morning. The act of putting one foot in front of the other can be pretty monotonous and by “podding along” while plodding along the mind also gets something useful to do. So it is with the time spent commuting to work day after day.
Some of the best radio comes from the public networks of the UK, Australia, Ireland, Canada, New Zealand and the U.S. Apart from the originating program’s web site, most programs are made available through any number of other amalgamation sources such as iTunes and TuneIn. Admittedly, these are thoroughly subjective recommendations, but my interests and tolerance for incompatible views are pretty wide-ranging. Here’s another in a continuing series of small samplings, offered in a 90 minute scope (more of less): —— “The man who influenced your entire breakfast this morning” UNDER THE INFLUENCE - CBC Radio One Albert Lasker is the most interesting adman in the world. He had a hand in influencing professional baseball, Planned Parenthood, North American breakfast food and not one, but two presidential elections. And he just happened to change the world of advertising in the process. (29”) https://www.cbc.ca/radio/undertheinfluence/the-man-who-influenced-your-entire-breakfast-this-morning-1.5019150 “Writing for the Ear to See" THIRD COAST INTERNATIONAL AUDIO CONFERENCE - WBEZ Chicago Public Radio We make stories for the ear, but there’s no escaping the highly visual nature of the work we produce… No other medium allows its audience to see as imaginatively, as privately, and as sensitively, as audio. But how do we go about accessing this visual capacity of audio? How do we find those ways of describing a scene, an object, a person, in a way that brings our audience the full Technicolor experience. Focusing on script, this session looks at we might think about our visual language. In the crispest, most economical ways, how do we use narration to allow our audience to see what they’re hearing? Sophie Townsend is a senior producer and editor at the ABC’s Radio National, and her feature-making work is internationally recognized. (72”) https://www.thirdcoastfestival.org/feature/writing-for-the-ear-to-see __ __ A monthly (well, mostly monthly) compendium of these newsletters, plus on occasion additional pertinent material, is now published in The CIDX Messenger, the monthly e-newsletter of the Canadian International DX Club (CIDX). For further information, go to www.cidx.ca John Figliozzi Editor, "The Worldwide Listening Guide” 192 page 8th edition available from Universal Radio [universal-radio.com] and Amazon [amazon.com] _______________________________________________ Internetradio mailing list [email protected] http://montreal.kotalampi.com/mailman/listinfo/internetradio To unsubscribe: Send an E-mail to [email protected]?subject=unsubscribe, or visit the URL shown above.
