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Call for Papers

Theme: Writing and Screening Socialisms in an Entangled World
Type: Interdisciplinary Workshop
Institution: University of Tübingen
Location: Tübingen (Germany)
Date: 3.–4.7.2015
Deadline: 28.2.2015

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Socialism is one of the paradigms that shaped the global 20th
century. While it is characterized by a transcultural, universalizing
utopia, socialism has actually manifested itself in a large variety
of local concepts that modify, alter, adapt and localize its
universalisms in time and space (e.g., Soviet-style communism,
Western socialist movements, African socialism or its North Korean
and Chinese versions). Socialism as an idea has been spread all over
the world, regardless of whether a given society has defined itself
as socialist or not, whether it was a real life experiment in society
or a cultural counter concept to local or transnational power
structures (such as imperialism and colonialism).

Socialism interacts with the arts, with literature, with film, with
humanities, with varying theories and with everyday culture which
were all used to express and/or shape its differing forms. Possible
varieties range from European avantgarde movements, Soviet socialist
realism and North Korean nationalizing reinterpretations to African,
Asian and South American anti- and postcolonial theory and writing as
well as filmmaking. As a global movement, socialism has triggered a
migration of concepts, people, cultural artefacts, texts and films
that might not even be directly connected with socialism as such, but
rather stem from its respective rootedness in local cultures. As
such, socialism becomes one of the facilitators for a global cultural
exchange that has yet to be investigated.

The workshop aims to bring together scholars from different
disciplinary contexts such as film, art, literature or intellectual
history in order to ask for possible routes of transnational
entanglements as a result of socialism.

Leading questions could be:

- How are socialisms formed locally theoretically or discursively and
  expressed aesthetically?
- Which concepts, texts, aesthetics and discursive formations were
  exchanged, and which were the routes of exchange? Which local
  concepts were shaped or reinterpreted such as for instance
  ‘protosocialist’ ones which are thus brought into a dialogue with
  the rest of the world?
- What about the vexed question of representation and othering within
  socialisms and their global entanglements?
- How can we sketch the range of the socialist paradigm not from an
  ideological point of view, but from one of cultural studies both on
  transnational and local levels?
- To what degree did the socialist experiment of the Soviet Union and
  the concepts it developed (e.g., Gor’kijs project of world
  literature, manifestations of multinationality in literature, film
  and the arts or aesthetic concepts such as socialist realism) impact
  global socialisms?
- Which other points of contact, routes of exchange and/or
  possibilities for comparison can be found (e.g., the non-aligned
  movement, questions of language and translation or the liberation
  movements)?
- Which other models can be traced apart from the Soviet Union?
- Where are points of (aesthetic) resistance to be found, either for
  or against socialisms?
- How is worldwide socialism connected with questions of mediality
  (cf. R. Debray, who situates socialism in the „graphosphere“)?
- What are the legacies of all these dynamics in contemporary
  societies?

Preferred are papers that look either at points of contact and
transfer or at central discursive or aesthetic concepts, texts or
films from both transnational and local perspectives. As a starting
point, the entanglements of the Eastern Bloc with African socialisms
will be at the center of attention, though not exclusively. Strongly
encouraged are perspectives that help to identify global dimensions,
e.g., transcontinental routes of exchange.

Please submit an abstract no longer than 500 words and a short biobib
to Dr. Gesine Drews-Sylla, [email protected].

Deadline: February 28th, 2015

Travel costs and accommodation of participants will be covered if at
all possible.

Workshop results shall be published in an edited volume.

The workshop is part of the project „Entangled Cultures in ‚Second’
and ‚Third’ Worlds“ (supported by "Intramurales Förderprogramm
Universität Tübingen 'Projektförderung für
NachwuchswissenschaftlerInnen'") which aims to establish a network of
scholars on the subject. Therefore, I also encourage scholars that
are generally interested in participating in the network for
applications indicating your field of study and a short biobib.


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