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Call for Papers

Theme: The Radical Sixties
Subtitle: Aesthetics, Politics and Histories of Solidarity
Type: International Interdisciplinary Conference
Institution: Centre for Applied Philosophy, Politics and Ethics
(CAPPE), Centre for Design History (CDH) and Centre for Memory,
Narrative and Histories (CMNH), University of Brighton
Location: Brighton (United Kingdom)
Date: 28.–29.6.2019
Deadline: 28.9.2018

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An international interdisciplinary conference jointly organized by
the University of Brighton’s Centre for Applied Philosophy, Politics
and Ethics (CAPPE); Centre for Design History (CDH) and Centre for
Memory, Narrative and Histories(CMNH).

“The Sixties” continue to engage scholars from many disciplines in
debates over what exactly changed; and, indeed, whether the various
protest movements were in fact radical at all in their political
demands. Both nostalgically celebrated as a revolutionary heyday and
lamented as a failed political project, the decade continues to haunt
veterans and preoccupy scholars fifty years on.

However, these long-held evaluations remain parochially centred on
European and North American experiences in a handful of cities in
this tumultuous decade. Crucially, a Third Worldist perspective,
despite its centrality for activists in the 1960s, is conspicuously
marginalized in today’s scholarship. It has been argued—and
demonstrated—that decolonisation struggles and anti-imperialist
resistance spanning the three continents of the Global South, from
Cuba to Algeria and all the way to Vietnam, both politically informed
a new generation of contestation and offered a new radical horizon of
Leftist internationalism. And yet “The Sixties” continues to be
universalised on the basis of myopically “Western” speculations about
what makes radical politics possible.

This conference thus seeks to decentre the established loci of “The
Sixties”. It builds on recent efforts to expand and complicate the
spatiality and temporality of the global sixties and calls for new
analyses of this critical historical conjuncture from the standpoint
of solidarity. For today we seem to know very little about how
solidarity constituted a nodal theme for radical Leftist politics in
the 1960s; its intellectual frameworks and transnational politics,
associated aesthetics and cultures of circulation. How was solidarity
conceived, imagined and radically enacted in the border-crossings,
both spatial and intellectual, of revolutionaries in the “long” 1960s?

We invite contributions from any discipline that explore notions and
manifestations of solidarity as articulated in the interstices that,
more than 50 years ago, opened up shared spaces of political struggle
and prefigured radical horizons of possibility. In particular, we
seek explorations of solidarity as expressed in new aesthetic modes
of transnational dissent and carried through the circulatory
practices of radical cultures and associated flow of new
revolutionary subjectivities.

Topics:

- Theorisations of radical forms of New and/or Third World Left
  solidarity (politics/ aesthetics/ global scope/
  tactics/subjectivities)
- Histories of solidarity with, and within, the Third World
  (South–South and/or North-South linkages, networks and movements)
- Arts, cultures and aesthetics of solidarity (design, film, print,
  literature, poetry, music, visual and material culture broadly
  construed)
- Solidarity in circulation (objects, ideas and images on the move)
- Mobility of activists, intellectuals and artists
- Nodal cities/spaces of encounter
- Solidarity in public spaces of protest
- Memories, legacies and futures
- Leftist internationalism, transnationalism, cosmopolitanism from
  below

Opening public roundtable on the evening of 27 June 2019
(Speakers to be confirmed) 

Conference keynote speakers:

Vijay Prashad, Tricontinental Institute for Social Research
Cynthia Young, Pennsylvania State University.

Submission Guidelines

Please send proposals for individual papers/ and or panels by 28
September 2018 to: [email protected]

Individual paper proposals should include: name of presenter and
contact information; proposed paper title; abstract (250 words);
short biography (50 words).

Panel proposals should be pre-formed and include:  title and short
rationale for the panel (100 words) with 3-4 corresponding individual
paper proposals (as per above-guidelines).

Accepted proposals will be notified by November.

There is limited bursary support available for applicants: if you
wish to apply, please send a paragraph explaining your need for
support, together with your abstract. Decisions will be made on the
basis of both abstract and need.

For any enquiries regarding proposals, please contact Zeina Maasri:
[email protected]

For all general enquiries, please contact:
[email protected]

For further information and conference updates, please visit:
CAPPE: http://arts.brighton.ac.uk/re/cappe
CDH: http://arts.brighton.ac.uk/re/centre-for-design-history-research
CMNH: http://arts.brighton.ac.uk/re/cmnh


Contact:

Dr Zeina Maasri
School of Humanities
University of Brighton
Grand Parade
Brighton BN2 1RA
United Kingdom
Email: [email protected]




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