I just learned (after 25 years of playing!) that you can take a lot of pressure off of your thumb (and somewhat off your fingers) by 'pressing' the guitar against your body with your strumming-hand elbow, which makes your body a fulcrum, and presses the fretboard into your fingers. This has been a boon as I have recently started playing fretless bass, and my left thumb was gettin' mighty sore!
Scott www.ezinfocenter.com/2663130 -----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On Behalf Of slarty Sent: Sunday, October 28, 2001 11:29 AM To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED] Subject: Re: A technical question for guitarists It's possible that she has trouble using regular bar chords as you have to put quite a bit of pressure on the neck with your left hand. Specially when you are learning. It's also possible that she was taking flak from some people for using her system and used that as an excuse though I favour the first reason. [EMAIL PROTECTED] wrote: > I've been puzzling about something arising from Karen O'Brien's biography, > "Shadows and Light". At least twice Karen mentions the fact that polio left > Joni with a deficiency in her left side which meant she was unable to master > a "Cotten picking" style of guitar playing. While I can see that a weakness > of the right hand could lead to difficulty in this respect I can't see why a > problem with the left hand would lead to her "ending up playing mostly the > 6th string, banging it into the 5th." Looking at early footage of Joni's > playing she seems to use a highly developed finger picking style, although > it's true this was later abandoned. The development of her many tunings as > the result of left hand weakness I can understand as they make for more > comfortable fingering on the whole, although more barring which takes quite a > lot of strength. > > Comments welcome, > Jacky
