What with all this reminiscing about the 60s and 70s in the USA I thought
Id mention a few important musical highlights of my formative years over
the pond in the uk. I remember it as if it were yesterday. The Isle of
Wight Festival, July 1970. Catching the ferry from Dover to Freshwater
Bay and taking the train to the festival site (sight?). Four days of
wonderful music, except for Hawkwind playing every night in the canvas
city. All the big names were there; Tiny Tim, a weird American singer
who, as everyone knows, took his name from a character in a book by
Thackeray. Who could forget his classic rendition of Tulips from
Amsterdam? And then there was John Sebastian, former leader of the
Turtles, who had decided on a solo career after the success of his single
Young Girl. Unforgettable. He played an acoustic set because the
roadies had problems with the snow and it took so long to set up the
electric bands that they alternated electric and acoustic sets. Another
acoustic set was played by Al Stewart (actually with the problems of
running late he was only allowed to do one song, fortunately a wonderful
15-minute song called Love Chronicles). I would have loved to have
heard the electric version. Im surprised he didnt make a new version
when he joined the Faces but thats how musicians are, I suppose; they
move on to new material, and I have to admit that Maggie May was a
belting song. And lets not forget Jimi Hendrix, thrashing his guitar
around the stage and doing a unique version of God Save the Queen,
backed by the Sex Pistols. Of course, not all the people agreed with his
histrionics and were relieved to see him a calmer man after he joined
Lambert and Ross.

But lets cut to the chase; the reason we are all here  Ms Mitchells
appearance. I will never forget the way she strolled onto the stage,
dressed entirely in green, her boyishly cut raven hair glinting in the
early morning sunshine. There she was, hunched over the piano, hammering
out the opening chords of Big Orange Taxi, the hit single taken for the
Mingus album, the surprise success crossover album of 1969. When she
was interrupted during the intro to A Case of Blue Nun by someone she
met in Matala, she smiled benignly and told the audience that she had
recently attended a Hippy Wedding ceremony and said that the guests were
acting like Hopis and that the audience should respect tourists because
artists put their souls into their performances. When the police dragged
the intruder off the stage she picked up her trusty VG-8 and played
Blue, which brought the house down and sent the audience back to their
tents whistling while night fell over the mountains Unforgettable, and
you know there may be more

mike in bcn

------------------------------------------------------------------------

Get your FREE download of MSN Explorer at http://explorer.msn.com.

Reply via email to