Hi everyone!!!I am delighted by the response that was generated by my
research paper.  I really appreciate everybody taking time out of their
day to help me out.  First of all I would like to address some of the
questions posed to me.  Jim L'Hommedieu asked me what I meant by "best". 
I guess best in my dictionary is totally subjective.  Whatever period of
consecutive Joni albums you consider to be your favorite is what is
'best.' Of course there is always a reason why you consider it to be your
favorite, whether it be related to the musics or lyrics.  I realize this
is an incredibly difficult choice for any Joni fan to make, but if you
were forced to make the choice, what would the answer be?There is a
reason behind my sacrifical divvying up of Joni's albums.  James Webster,
makes the case that we tell stories in three different ways; originary,
organic, and teleolgical is what they are called.  Each story valorizes
one period.  Originary valorizes the beginning so for example, if I said
John Smith reached the peak of his intellectual capacities at the age of
two and subsequently his IQ declined throughout his life, this would be
originary.  Organic valorizes the middle period i.e. The Rise and Fall of
Rome.  Teleoligcal valorizes the last period which is Beethoven's story
(the stuff he wrote when he became deaf and before he died was the
best).  What I want to do in my period is 1) prove we still tell these
stories in popular music of today and 2)apply all three of these stories
to Joni's music. Hence, my interest in everyone's opinions.  So if anyone
else would like to chime in, I would definitely be interested.  My
reclassification of albums question was met by resounding agreement on
the fact that Mingus was the culmination of the 'middle' period.  And as
an aside, I hate to apply the word 'end' to Joni's music especially since
she is NOT dead, that is why I try to always put it in quotes.Thanks
againStephanie Morrison

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