on 9/22/02 3:00 AM, JMDL Digest at [EMAIL PROTECTED] wrote:

> 
> JMDL Digest        Sunday, September 22 2002        Volume 2002 : Number 385
> 
> 
> 
> The Official Joni Mitchell Homepage, created by Wally Breese, can be
> found at http://www.jonimitchell.com. It contains the latest news,
> a detailed bio, Original Interviews, essays, lyrics and much much more.
> 
> The JMDL website can be found at http://www.jmdl.com and contains
> interviews, articles, the member gallery, archives, and much more.
> ==========
> 
> TOPICS and authors in this Digest:
> --------
> Today's Library Links: September 21                  [[EMAIL PROTECTED]]
> CLARIFY DJRD COMMENT                                 [[EMAIL PROTECTED]]
> Re: "Produced by Joni Mitchell"  [Richard Goldman <[EMAIL PROTECTED]]
> Re; america NJC                      ["Mike Pritchard" <[EMAIL PROTECTED]>]
> Re: CLARIFY DJRD COMMENT                                [[EMAIL PROTECTED]]
> Re: Fw: new to list NJC     ["Bree Mcdonough" <[EMAIL PROTECTED]>]
> Re: produced by Joni Mitchell                             [[EMAIL PROTECTED]]
> Re: James Taylor (njc)         ["Victor Johnson" <[EMAIL PROTECTED]>]
> Re: James Taylor (njc)   ["mack watson-bush" <[EMAIL PROTECTED]>]
> new kid/njc                            ["kasey simpson" <[EMAIL PROTECTED]>]
> Patricia Barber (SJC)                                       [[EMAIL PROTECTED]]
> re: revisiting dog eat dog  ["Jim L'Hommedieu \(Lama\)" <[EMAIL PROTECTED]]
> Bristols, njc              ["Jim L'Hommedieu \(Lama\)" <[EMAIL PROTECTED]>]
> Re: James Taylor (njc)             ["Mark or Travis" <[EMAIL PROTECTED]>]
> new Bonnie Raitt njc               ["Mark or Travis" <[EMAIL PROTECTED]>]
> cd shopping njc                    ["Mark or Travis" <[EMAIL PROTECTED]>]
> Re: James Taylor (njc)                                  [[EMAIL PROTECTED]]
> Re: James Taylor (njc)      ["Bree Mcdonough" <[EMAIL PROTECTED]>]
> The joy and frustration of supporting obscure singer-songwriters njc (long)
> [AzeemAK@aol]
> Re: The joy and frustration of supporting obscure singer-songwriters njc
> (long)  [SCJoniGuy]
> Re: Continents - NJC                       ["gene mock" <[EMAIL PROTECTED]>]
> Re: onlyJMDL Digest V2002 #274                          [[EMAIL PROTECTED]]
> 
> ----------------------------------------------------------------------
> 
> Date: Sat, 21 Sep 2002 03:13:45 -0400
> From: [EMAIL PROTECTED]
> Subject: Today's Library Links: September 21
> 
> On September 21 the following items were published:
> 
> 1966: "Folksongs" - Variety
> (Review - Concert)
> http://www.jmdl.com/articles/docs/660921v.cfm
> 
> 1974: "By the time we got through Neasden..." - Sounds
> (Review - Concert, with photographs)
> http://www.jmdl.com/articles/docs/740921s.cfm
> 
> 1974: "Wembley Frolics" - Disc Magazine
> (Review - Concert)
> http://www.jmdl.com/articles/docs/740921dm.cfm
> 
> 1998: "Joni at The Old Town School of Folk Music" - Chicago Tribune
> (Review - Concert)
> http://www.jmdl.com/articles/docs/980921ct.cfm
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 04:06:06 -0400
> From: [EMAIL PROTECTED]
> Subject: CLARIFY DJRD COMMENT
> 
> A lil while back i posted saying that DJRD was better on vinyl than cd....Well
> i think im gonna have to retract that statement...Dont get me wrong it sounds
> great on vinyl but for some reason the other day listening to the cd I feel
> you get a bettre feel of what Joni wanted us to hear.. I realize this album
> gets thrown to the wayside because joni needed to fulfill a contract but i
> honestly believe that when its all said and done it will go down as one of her
> very best and most innovated works...can you tell i dig it alot?? Another
> quick side bar....my friends new boyfriend and I were talkin about Joni the
> other day and he referred to "Joni's black music and Joni's white music" have
> any of you heard that before...he was sayin how Hejira was her first black
> album and how Joni gets more "props" from the african american community than
> from white folks...especially for her 80s stuff...ive never heard that before
> hope all are havin a great weekend***kev***
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 01:40:05 -0700
> From: Richard Goldman <[EMAIL PROTECTED]>
> Subject: Re: "Produced by Joni Mitchell"
> 
> At 3:00 AM -0400 9/21/02, JMDL Digest wrote:
>> 
>> Date: Sat, 21 Sep 2002 01:14:58 -0400
>> From: "Jim L'Hommedieu \(Lama\)" <[EMAIL PROTECTED]>
>> Subject: "Produced by Joni Mitchell"
>> 
>> In many interviews, she's said that she "doesn't know what the word means".
>> Sometimes she says that she generally doesn't work with "outside" producers
>> 'cause she doesn't "want someone ELSE'S brush strokes" on her canvas.
>> 
>> That said, I wouldn't be the first person to notice that she gave some
>> people a great amount of creative freedom to move around within her canvas.
>> Jaco for example at the very begining of "Sweet Sucker Dance".  Just before
>> her vocal starts, he put this figure in that practically steps on her.  Most
>> people wouldn't have left that in there but it really builds tension in a
>> jazz way.  There's no way (in my opinion anyway) that a rock bassist like
>> John Entwistle would have stepped into that particular space.  It says
>> oceans about Joni's thirst to collaborate in those days, and about the fact
>> that she had some really, really wonderful players with her.
>> 
>> Maybe there's chapter to be written called "Joni's sidemen".  Hmmmmm.
>> Stills, jt, Shorter, Erskine, Blade, Hancock, Jaco, Larry, shit!  That's
>> just for starters!
>> 
>> Lama
> 
> Brilliant collaboration, it seems to me.  Brilliant in the direction of
> genius.
> 
> Richard in San Francisco
> 
> n.p. Doug Echols spinning live on WPKN-FM, 89.5 FM in Bridgeport, CT,
> http://www.wpkn.org live feed...
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 10:37:53 +0000
> From: "Mike Pritchard" <[EMAIL PROTECTED]>
> Subject: Re; america NJC
> 
> Patrick wrote (to wally)
> 
>>> i think you did accidentally make a misstatement about americo (i've
> always
> seen it spelled amerigo) vespucci.  his own voyages may have only been to
> south america, but the name "america" does come from his name, because he
> was the navigator on columbus' first voyage, which landed in the
> Caribbean<<
> 
> to which mike now adds
> 
> and Stevie Wonder wrote
> 
> *Guide of a ship, on the first Columbus trip was a brown man* although
> Stevie names him as Pedro Alonzo Nino. If a navigator is a guide, as I
> believe is the case, then was Vespucci or Alonzo the guide. And if Alonzo
> was brown (sounds Spanish to me) what colour was Vespucci? Eduardo
> Galeano mentions Vespucci only twice in his 'Memory of Fire' trilogy. The
> quote is as follows:
> 
> The ocean will not be named the Sea of Columbus; nor will the new world
> bear his name, but that of his Florentine friend Amerigo Vespucci,
> navigator and pilot master. But it was Columbus who found dazzling color
> that didn't exist in the European rainbow. Blind, he dies without seeing
> it.
> 
> mike in barcelona, from where Columbus started his journey to the 'new
> world'
> 
> NP Stevie Wonder. Black Man
> 
> - ------------------------------------------------------------------------
> 
> Chat with friends online, try MSN Messenger: Click Here
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 08:13:22 EDT
> From: [EMAIL PROTECTED]
> Subject: Re: CLARIFY DJRD COMMENT
> 
> **A lil while back i posted saying that DJRD was better on vinyl than
> cd....Well i think im gonna have to retract that statement...**
> 
> Well, you can't lose either way, Kev, that's for sure. I find that DJRD is
> not a cd I put on as background. It always seems to demand my full attention.
> With the LP, it was sometimes nice to be able to break from each side, merely
> to digest it all - especially PP. With the cd, it all keeps coming which is
> pretty awesome as well.
> 
> Oh yeah, I dig it a lot too! :~)
> 
> Bob
> 
> NP: Joni, "DED", Rock Master Class
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 08:54:50 -0400
> From: "Bree Mcdonough" <[EMAIL PROTECTED]>
> Subject: Re: Fw: new to list NJC
> 
> Hi Kasey!!
> 
>> Maybe one
>> day we'll meet.
> 
> Yeah...Great!!
> 
> How long have you been a fan of JM?
> 
> Oh....since a babe....1976.....been in Joniland ever since.  I have her
> complete catalog....videos..and I collect Joni stuff as well as the Beatles.
> She is my all-time favorite singer/songwriters.  As much as I love the
> Beatles.....there were four of them and only one Joni.  And in her case two
> heads *are not* better than one. (a line from Twisted off Court &
> Spark.....only she sings... two heads ARE better than one)
> 
> 
> Do you like Skyline?
> 
> I do....but my favorite is Gold Star Chili.  For most of the people on the
> list don't know this: Cincinnati is famous for it's chile.....their
> three-ways and four-ways and yes...FIVE-WAYS.
> FIVE-WAYS:chile,spaghetti,cheese,beans,onions.  I have to have a fix at
> least once a week.
> 
> Kasey so you don't get yelled at by a lister....always remember to put NJC
> in the subject line.  Now....if contains joni info...well you don't need to
> put it.  OR a little joni info...in the subject line you would put SJC.
> (some Joni content).  Also, when replying to someones post.. be sure to
> remove anything in the post that is not pertinent to what you want to
> discuss.  That way people don't have to reread something they have already
> read and is not relevant to what you want to point out or comment
> on...discuss etc...
> 
> I thought I would tell you this so you would not get your feelings hurt and
> then make you shy about posting.  And not to worry we have all forgotten the
> NJC....believe me...you will not be the first nor the last of forget.  ;-)
> 
> Later...
> 
> Bree
> 
> 
> 
> Kasey
> ___________________________________________________________
>> Join the worlds largest e-mail service with MSN Hotmail.
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>> 
>> 
>> 
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>> more from the Web.  FREE MSN Explorer download : http://explorer.msn.com
> 
> 
> 
> 
> _________________________________________________________________
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> http://photos.msn.com/support/worldwide.aspx
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 10:00:52 EDT
> From: [EMAIL PROTECTED]
> Subject: Re: produced by Joni Mitchell
> 
> I agree wholeheartedly agree with you except I don't see James Taylor in that
> group.
> I wonder what Join thinks of his music. I find him so so boring.
> Stephen
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 10:36:56 -0700
> From: "Victor Johnson" <[EMAIL PROTECTED]>
> Subject: Re: James Taylor (njc)
> 
>> I agree wholeheartedly agree with you except I don't see James Taylor in
> that 
>> group.
>> I wonder what Join thinks of his music. I find him so so boring.
>> Stephen
> 
> I wasn't terribly interested in JT either until I saw him live in Chapel
> Hill in 1991.  He totally won me over, in essence, probably making more of
> a dramatic impression on me than anyone else I ever saw live.  I didn't see
> him live again until 2000 at the Fox Theatre in Atlanta.  In some ways, I
> think his music is similiar to Nick Drake, with stronger vocal ability.
> Its so personal and deceptively simple yet if you allow yourself to be
> drawn in, you see how warm and endlessly complex it really is.  But I think
> you really need to see him in person to fully appreciate his music.
> 
> Did anyone else ever have an experience like that, where you weren't really
> that interested in someone's music and then you saw them live and it
> completely changed your perspective?
> 
> Victor, wondering what the life span of a wasp is as the same one has been
> passively crawling around the window for two days now
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> - --- Victor Johnson
> - --- [EMAIL PROTECTED]
> "Roses wait for the springtime,
> They sleep beneath the ground.
> They hear March winds a callin'
> For the sun to come around."vlj
> 
> Visit http://www.cdbaby.com/victorjohnson
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 10:14:37 -0500
> From: "mack watson-bush" <[EMAIL PROTECTED]>
> Subject: Re: James Taylor (njc)
> 
> Victor wrote:
> 
> 
> deceptively simple yet if you allow yourself to be
>> drawn in, you see how warm and endlessly complex it really is.  But I
> think
>> you really need to see him in person to fully appreciate his music.
> 
> Always liked his music.  The single released "up on the roof" captivated me
> (the version on the album itself is different and not quite as good) and
> thus I bought the album.  It, like the other three I have, didn't make a
> great first impression but over time I wouldn't give any of them up.
> 
> As for the wasp, not long if it cannot get outside.  I always trap
> non-killer spiders (black widows and recluses) and let them outside as I do
> with wasps of any kind except yellow jackets.  The latter sting for no
> reason and have to go, though it hurts me to do it.  Writing of hurting,
> just killed three roosters (as I was stung multiple times by the fire ants
> which have made it to my house) which now have to be cut up and prepared, or
> frozen.  But yum, will have a great lunch.
> 
> 
> mack
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 11:35:19 -0500
> From: "kasey simpson" <[EMAIL PROTECTED]>
> Subject: new kid/njc
> 
> Bree,
> Thanks for starting me out on the right foot here.  I will save your post and
> refer
> back to it for awhile.  My friend is also sending me the Blue CD.  Do you have
> this one?
> What are some of your favorite tracks?  Oh, and I forgot to mention, the other
> two
> things I love about Cincinnati; LaRosa, and Greaters.  I'm thinking I may have
> to make
> a trip there soon:)  If I do I'll let you know.
> Again Thanks,
> Kasey Get more from the Web.  FREE
> MSN Explorer download : http://explorer.msn.com
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 11:57:59 EDT
> From: [EMAIL PROTECTED]
> Subject: Patricia Barber (SJC)
> 
> I just read a review on jazz musician Patricia Barber's new CD "Verse".  I've
> heard people mention her before, but I'll have to give a listen to this one.
> 
> 
> "In a loose way" she says "VERSE is a Patricia Barber homage to Joni
> Mitchell" -the Joni Mitchell of 1976's "Hejira", Barber's favorite album from
> the legendary Canadian folksinger.
> 
> I'm not sure how her music is, but she's got great taste!
> 
> Happy Weekend,
> Jimmy
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 12:54:33 -0400
> From: "Jim L'Hommedieu \(Lama\)" <[EMAIL PROTECTED]>
> Subject: re: revisiting dog eat dog
> 
> Owen suggested that Joni redo the songs of "Dog Eat Dog" without...
> uhmmm.... how do I say this delicately...... without Thomas Dolby's
> overbearing, damnable, ham fisted production touches this time.
> 
> :)
> 
> (I couldn't figure out how to say it delicately.)
> 
> Anyway, this sounds like a good idea but asking Our Lady of Duality to
> revisit old material was (until recently, ahem!) unlikely.  It might be a
> neat project for Henning/Christina or our ex-patriot and studio-meister,
> Marcel, to tackle.  The thing is though, how many among the general public
> would want to hear covers of an album that most disliked to begin with?
> 
> Lama
> 
> np: the radio, playing a (new?) Bonnie Raitt track that sounds like it came
> right off of Paul Simon's "Graceland", which Lama thinks is also a pretty
> good idea.
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 13:34:02 -0400
> From: "Jim L'Hommedieu \(Lama\)" <[EMAIL PROTECTED]>
> Subject: Bristols, njc
> 
> In addition to those nicknames already noted by my esteemed colleagues, I'll
> add that my mother used the term "bazooms".  :)
> 
> In middle America (ha!) we also called uhmmm..... usually noticeable ones
> "cannons" or "bazookas".  Don't know why artillery was the association.
> Also "rack", or "a nice _set_."  I imagine that "boobs" and "boobies" were
> already in the mix.  Is someone compiling a list?
> 
> Lama
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 11:35:42 -0700
> From: "Mark or Travis" <[EMAIL PROTECTED]>
> Subject: Re: James Taylor (njc)
> 
>> Did anyone else ever have an experience like that, where you weren't
> really
>> that interested in someone's music and then you saw them live and it
>> completely changed your perspective?
> 
> Rickie Lee Jones last summer.  Fell completely in love with her after
> disliking her & pretty much ignoring her for years.  Now after seeing her
> perform live I can't get enough of her.
> 
> Mark E. in Seattle
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 11:47:04 -0700
> From: "Mark or Travis" <[EMAIL PROTECTED]>
> Subject: new Bonnie Raitt njc
> 
>> np: the radio, playing a (new?) Bonnie Raitt track that sounds like it
> came
>> right off of Paul Simon's "Graceland", which Lama thinks is also a pretty
>> good idea.
>> 
> 
> Must be 'Hear Me Lord' from the new one.  I'm really getting into this cd.
> Does anyone know who Jude Johnstone is?  The last track 'Wounded Heart' was
> written by him and it's a gorgeous, heart-wrenching song.  There was some
> talk about Bonnie's 'earthy' side.  'Gnawin' On It' is a prime example of
> that.  'Silver Lining' is highly recommended.
> 
> Mark E. in Seattle
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 12:00:58 -0700
> From: "Mark or Travis" <[EMAIL PROTECTED]>
> Subject: cd shopping njc
> 
> Walked to Tower Records on Friday at lunch and was delighted to find they
> had their WEA cds on sale.  Picked up three Emmylou Harris cds.  'Quarter
> Moon in a Ten Cent Town' which I have had on vinyl for years plus 'Elite
> Hotel' and 'Cowgirl's Prayer' which I have never owned.  All are stellar
> efforts from Emmylou.  Judging from the lyrics of 'Prayer in Open D', 1993
> must not have been a great year for Emmylou either.  She really writes
> beautifully.  I hope she does more of it.
> 
> The other cd I bought was Judy Collins' 'Who Knows Where the Time Goes'.
> More and more I am struck by the incredible emotional depth that Judy
> reaches in her interpretations.  And this one has her own beautiful song 'My
> Father' on it.  I am more & more impressed by Judy's writing ability as
> well.
> 
> I saw a new Jane Monheit cd at Tower but did not buy it.  One of the tracks
> listed was 'Since You've Asked'.  Also 'Love Has No Pride'.  It will be
> interesting to see what Jane does with these.  I'm glad she continues to
> keep her repertoire fairly eclectic.  It seems that some of the music of the
> 60s and 70s is gradually infiltrating the realm of 'standards'.
> 
> Mark E in Seattle
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 15:54:54 EDT
> From: [EMAIL PROTECTED]
> Subject: Re: James Taylor (njc)
> 
> **Did anyone else ever have an experience like that, where you weren't really
> that interested in someone's music and then you saw them live and it
> completely changed your perspective?**
> 
> I was always kind of lukewarm about Richard Thompson (though I thought Mock
> Tudor was incredible), but when I saw him live he was incredible! He
> definitely made me a believer. And to add to the pleasure, I was introduced
> to singer-songwriter Amy Correia, who also was fabulous and who is probably
> working on a new one, I hopes!
> 
> Bob
> 
> NP: Andy Summers, "Goodbye Pork Pie Hat"
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 16:54:51 -0400
> From: "Bree Mcdonough" <[EMAIL PROTECTED]>
> Subject: Re: James Taylor (njc)
> 
>> **Did anyone else ever have an experience like that, where you weren't
>> really
>> that interested in someone's music and then you saw them live and it
>> completely changed your perspective?**
> 
> Joni..1976.  I guess you could say it changed my perspective.... (big, big
> understatement)
> 
> Bree
> 
> 
> 
>> Bob
>> 
>> NP: Andy Summers, "Goodbye Pork Pie Hat"
> 
> 
> 
> 
> _________________________________________________________________
> MSN Photos is the easiest way to share and print your photos:
> http://photos.msn.com/support/worldwide.aspx
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 20:34:40 EDT
> From: [EMAIL PROTECTED]
> Subject: The joy and frustration of supporting obscure singer-songwriters njc
> (long)
> 
> Sorry about the tremendously laboured title, folks.  That sub-editing job I
> went for, they never return my calls...
> 
> I went to a wonderful gig tonight, one that also left me quite gloomy in one
> respect.  Robin Holcomb was playing London's Purcell Room, a small-ish but
> quite prestigious London venue.  It was part of a week-long festival called
> The Song's The Thing, which, as the name implies, celebrates songwriters
> across a wide range of styles.  Among the acts featured this year are Lee
> Hazelwood, Riuichi Sakamoto, Erland Oye (from Kings of Convenience) and
> Kirsty MacColl (a big memorial concert on Monday).
> 
> Robin Holcomb was paired with Jeb Loy Nichols; a less starry brace of
> performers you could not dream up without a great deal of effort, and to
> expect them to fill a 360-seat venue proved sadly over-optimistic.  I don't
> suppose they'd register much more than a blip on the radar even in their home
> country (America - um, or should that be the USA...) - here, there were
> between 50 and 60 people in the place.
> 
> Mind you, those few people were as attentive as any audience I can remember.
> You could have heard a feather drop while she was playing, and the applause
> was enthusiastic.  She came on with a smile and a curtsy, told us that she
> was recovering from a nasty cold, and then proceeded to charm the pants off
> us for three quarters of an hour or so.
> 
> Her voice is an acquired taste, no question, but to me she sang beautifully
> tonight in her quirky way.  Her lyrics are outstanding; concise, elliptical,
> sometimes mysterious, sometimes poignant.  Come to think of it, the same
> adjectives apply to her tunes!  And her musicianship is pretty special: this
> is a woman who had been on the modern jazz scene for years as a composer and
> pianist, keeping company with Wayne Horvitz, Bill Frisell, Bobby Previte and
> so on.  Her songs are very unusually constructed, with shades of jazz, folk,
> Minimalism and American neo-classical all discernible.
> 
> In short, Robin Holcomb is a unique artist.  This concert will get a short
> review in one of the broadsheets if it is VERY lucky, and otherwise will pass
> without a murmur.  This is what makes me slightly gloomy.  Of course, all of
> us on this list have our favourite obscure performers, and I'm sure we all
> gnash our teeth at the injustice of how they struggle to reach an audience
> and scratch a living, while talentless and passionless mannequins clean up at
> the bank and the back-room boys and girls plot the next steps in the quest to
> excise the soul from music.
> 
> Still, next to all the frustration, I have the joy of re-discovering all the
> time that there is great music and great songs being written and that,
> despite all the odds, some of it DOES actually get out into the world.  And
> this list has been responsible for introducing me to some of it, for which
> I'm extremely grateful.
> 
> I hope that Joni's imminent offering is part of the solution!  Personally,
> I'm awaiting it with a certain amount of trepidation (I'm not the only one,
> I'll bet), not having enjoyed BSN beyond the first listen, and seriously
> doubting that I'll enjoy this one any more.
> 
> Azeem in London
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 20:51:12 EDT
> From: [EMAIL PROTECTED]
> Subject: Re: The joy and frustration of supporting obscure singer-songwriters
> njc (long)
> 
> **Mind you, those few people were as attentive as any audience I can
> remember. **
> 
> That IS the benefit of going to a show like that, Azeem. The folks that are
> all are all there to see & hear the artist, and they are respectful and
> attentive. You don't have people gabbing or otherwise disrupting the
> performance. When I saw Glenn Tillbrook here last year, the crowd was small
> but very much into it, and so was Glenn. He jumped off the stage, led us all
> around the bar, even invited a couple folks to join him onstage for a song.
> 
> I would much rather spend my money and time on a show of this nature than go
> to basketball arenas to deal with people who are just there to see & be seen.
> 
> Thanks for your report - I always enjoy reading your reviews.
> 
> Bob
> 
> NP: Ray Brown, "Both Sides Now"
> 
> ------------------------------
> 
> Date: Sat, 21 Sep 2002 21:03:57 -0700
> From: "gene mock" <[EMAIL PROTECTED]>
> Subject: Re: Continents - NJC
> 
> hello all, and thanks for all the joni fest info, pics, and sounds.  anyway
> there may well be 5 continents and 7 seas but we are all one earth.  what
> happens to one continent or one sea will affect us all.  wish there was some
> way we could spread some joni-dust about.  everyone would be for the better.
> take care gene
> - ----- Original Message -----
> From: "dsk" <[EMAIL PROTECTED]>
> To: "hell" <[EMAIL PROTECTED]>
> Cc: <[EMAIL PROTECTED]>
> Sent: Friday, September 20, 2002 11:50 PM
> Subject: Re: Continents - NJC
> 
> 
>> hell wrote:
>>> 
>>> Kate wrote:
>>> 
>>>> hell thanks for all that info, that is so interesting!
>>> 
>>> I'm glad someone liked it!  It is interesting though.
>> 
>> I think so too! Thanks, Hell, for going back to the memory banks and
>> books and writing all that out. And the site you mentioned is great -- I
>> love the picture of that marbled bowling ball. It is so pure looking...
>> 
>> Debra Shea
> 
> ------------------------------
> 
> Date: Sun, 22 Sep 2002 00:39:46 EDT
> From: [EMAIL PROTECTED]
> Subject: Re: onlyJMDL Digest V2002 #274
> 
> In a message dated 9/21/2002 3:01:23 AM Eastern Standard Time, [EMAIL PROTECTED]
> writes:
> 
> 
>> Does anyone else agree that it would be a great (and not too time-consuming
>> or expensive) project for Joni to return to 'Dog Eat Dog' and, keeping the
>> original vocals, remaster it in a more timeless form? Just acoustic piano
>> and guitar on some of those songs would be delicious! I think DED would be
>> judged a lot more fairly were it more in keeping with the production of her
>> other work - I truly believe they're great songs but a lot of people cant
>> listen to them because of how they sound. I often sing them just myself and
>> piano - songs like 'the Three Great Stimulants' and 'Impossible Dreamer'
>> sound great this way. Joni probably wouldnt want to return to a finished
>> project, on the other hand she certainly seems to feel it deeply when one
>> of
>> her 'babies' doesnt get a fair run... well, its a shame she doesn't read
>> the
>> list (not that she'd listen to me Im sure!)!
>> 
> 
> Enough already.  Dog Eat Dog's a fine recording without any revisitng.  The
> songs' arrangements are fine.
> 
> ------------------------------
> 
> Kev wrote:
'listening to the cd I feel you get a bettre feel of what Joni wanted us to
hear'


Kev I agree. The sides on the vinyl are so short -- 14-16 minutes  -- --
that I felt that the album ended up seeming chopped up and sort of
disconnected. I think this contributed to my lukewarm reaction to it
back when it was originally released. On cd, it's one continuous experience.
Although, I still feel that there's something 'off' about it. I don't know
what any of the business reasons might have been for Joni to release a
double album at that time, but something about it doesn't really seem to
warrant a two-disc set. The amount of material doesn't really fill out two
records. And artistically it just doesn't seem to hold together like, for
instance, Hejira or Hissing.

I've tried re-sequencing it in different ways, just for fun, to see if
there's a better (in my mind) single album there. This is what I've come up
with:

Side One:
Cotton Avenue
Paprika Plains

Side Two:
Otis and Marlena
10th World
Dreamland
Don Juan's Reckless Daughter


Bruce

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