With all the discussion about Joni's vocal range having lowered (as is
biologically normal) through the years, I'm wondering how few people note
that her range on STAS is much lower than on the subesequent three ("career
defining") records. I wonder if Joni felt pressure to raise her range to
that of Baez and Collins so as to provide competitive product in those
years. We as music consumers are reticent to believe that such detailed
coersion is placed upon artists, but it is not without precedent. Over the
past 30 years, I've increasingly felt that some of the vocal stretches in
Clouds, LOTC and yes, even in Blue are just that. She long has maintained
that her music has mirrored her visual art and like many artists, strives to
avoid artiface and impurity in both content and execution. Certainly her
most visually abstract period corresponds with her most political
musical-poetry. Perhaps later period vocals have appeared even more "plain
spoken" and lack the embellishment that would render them "marketable" among
those who would consider themselves fans, but who won't allow themselves to
let go of the early 70s. I've said before that her true admirers are there
for "goosebumps, but not for 'The Big Chill.""
The fact that Joni's vocal range has come down to what she now calls "alto"
is no surprise here. I'm rather glad to see her wear comfortable clothes.
A good song is a good song, even without the curly-ques, as "Travelogue"
will prove.
CC
"I can't go back there any more. You know my keys won't fit the door." --
JM
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