All this talk of Joni's high notes - I finally had to go check some of them out.  The 
highest note Joni hits that I have found on a cursory look at her recordings is a high 
F#, which she hits on The Arrangement, California, and in her guitar duet on MOA's 
Your Turn Me On...  She hits a high F on All I Want and Carey.  
The highest note I found on her first album was an E (in Song to a Seagull).  
If anyone can think of others, I'd be interested. 
I also heard her first album after LOC and Clouds - and thought, well why didn't she 
use this lovely full bodied voice on her 2nd and 3rd album.  The range of notes is 
somewhat lower, but it is the quality of her tone and timbre that I like so much 
better.
Jenny 
 [EMAIL PROTECTED] wrote:<forget the high notes in "Night in the City": up about an 
octave on the
capitalized syllables: "Night in the CI-ty looks PRET-ty to me ....">>

And also "Pirates of Penance"...some pretty high notes on that bad boy as
well. But I would say that while Joni's high register is certainly in full
evidence on STAS, she does go for some lower notes on this record that she
doesn't seem to approach on Clouds. Matter of fact, I didn't get this
record until the late 90's, and the IMMEDIATE thing that I noticed were the
low notes like right off the bat when she sings "painted the pastel walls
BROWN" on IHAK.

Bob

NP: The Contours, "Do You Love Me"

PS: I'll need to get that new Playboy so I can, ummmm, vote for Joni in
that Poll! Schwing! (Or should I say "Spong!") ;~)



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