Beautiful? Yeah. There's beauty in it.  And fright.  Disappointment.
Exhilaration.  Clarity.  Confusion.  Syncopation.  Swing.  There's an
*AWFUL* lot here.  Today I'm thinking this is the most complex, most
layered, most detailed, most varied title yet.  I thought this was gonna be
a retread.  It's emphatically NOT a repeat of anything.  It's apparent that
Mister Mendoza has given breath to many of Joni's best lines.

Remember the "COURT AND SPARK" collection?  At the end of "Trouble Child",
there are shimmering musical effect after the line "Trouble child, breaking
like the waves on Malibu."  Vince has fleshed out dozens and dozens of
moments in that spirit.

In literature when an author gives human characteristics to an animal, it's
called an7thro7po7MOR7phism.  Does anyone have a word for using instruments
to give sound to a thought?  To say that he "orchestrated" these tracks is
to understate the way he's extracted juice from them, and given them a new
metamorphosis.

Some of these thoughts have entirely new context.  The other day, someone
mentioned that "Woodstock" is now a cautionary tale.  Boy, howdy!  It sure
is.  Ya know, Kate Bennett and her band (Jeff, Chris, and Les if memory
serves) anticipated this very aspect of "Woodstock" in her take that closed
the JoniFest 2002 in Upstate New York.  I was hanging around when they were
hammering out the arrangement.  When they struck upon the idea repeating the
chorus and ending on a minor chord, it took on the ominous tone that Vince
also saw within it.  Am I the only one who now hears this line in a new and
disquieting way?

Joni wrote:
>> I dreamed I saw the bombers
Riding shotgun in the sky>>

Admittedly, in Joni's tie-dyed original, she hoped

>>>they were turning into butterflies
Above our nation.>>>

To me, the root of the flower-power thang was a backlash against killing.
In later years, like the decades of the 80s and 90s, the peacenik aspect of
"Woodstock" took on a soft-focus nostalgia.  Since we were no longer at war,
and we had the soft-focus M*A*S*H on TV, "Woodstock" became a wishy-washy
sentimental tune.

No more.  We are again looking at the grisly machinery and actively trying
to _wish_ ourselves into a brighter, safer world.  The whole point to it was

"We have to get ourselves BACK TO SOME SEMBLANCE OF A GARDEN."

It has been a cautionary tale, lying dormant for thirty-fricken years!

Okay.  That's one, too-long post about just ONE of Vince's moments.  Like I
said, there are dozens of moments like that.  This album is as much "Joni
Does It Vince's Way" as it is "Joni Sings Joni".  Like our own David Lahm,
Vince "gets" it.

Enough for now........

Lama

np: "Dead Of the Night" on LP by that Shawn Colvin person.  This is a
wonderful record.  I keep coming back to it.



From: "Mark Connely" <[EMAIL PROTECTED]>
Subject: wow, again.
>>>>>
This may be the most beautiful album yet.
God, my heart breaks listening to "Love".

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