Here's the story by Tony Atherton. It ran in the Vancouver Sun, the National Post and 
the Ottawa Citizen. Not sure if this was posted yet...

 - Andrew in Ottawa

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The two-part biography that airs tonight and next Tuesday at 7 p.m. on CBC's Life and 
Times is called Joni Mitchell: A Woman of Heart and Mind. It should not be confused 
with another two-part biography from the same production company which CBC almost 
aired last year at this time.

The earlier film was titled Joni Mitchell: Both Sides Now and Then, but it might also 
be called The Documentary Joni Mitchell Didn't Want You to See. The history behind the 
two films reveals almost as much about the Canadian musical icon as what you'll see on 
screen tonight.

Joni Mitchell: A Woman of Heart and Mind is a handsome, lyrical piece of film-making 
which focuses largely on Mitchell's music, partly on her painting, and almost 
incidentally on her life. We see how her life is reflected in her music, and how her 
music affects her life, sometimes with penetrating clarity. But we skip over a lot of 
personal detail. This is an art film, not a celebrity biopic.

Joni Mitchell: Both Sides Now and Then, on the other hand, was more personal, 
chattier, and a lot more Canadian. Mitchell hated it. And since she had demanded 
editorial control up front, she vetoed it days before it was to broadcast in Canada, 
and well after review copies had been sent out to critics.

At the time, nothing was said of Mitchell's dismay. CBC played the cancellation as a 
simple schedule change; the film was being held for the following season. But when it 
reappeared this spring, the film had a new name, a new director and a new co-producer, 
PBS's Emmy-winning arts-biography series, American Masters. Joni Mitchell: A Woman of 
Heart and Mind will air later as a 90-minute special on the U.S. public broadcaster.

The film began as the second half of a two-part deal between Mitchell and Eagle Vision 
Entertainment, a U.S.-based, British owned production company, says Life and Times 
senior producer Michael Claydon. In 1998, Mitchell and Eagle Vision collaborated on an 
intimate concert video called Joni Mitchell: Painting with Words and Music, which the 
CBC aired. The biography was a follow-up, and CBC came on board as a minor player.

Eagle Vision approached Susan Lacy, the Peabody-award-winning film-maker and founder 
of American Masters, about co-producing the film. She was very interested, she said in 
an interview from New York, and even accompanied the film's crew to Canada to 
interview Mitchell's parents. "But that was before I had seen the contract," says Lacy.

American Masters, which has profiled Bruce Springsteen, F. Scott Fitzgerald, and 
Richard Avedon, among others, doesn't make "official" biographies, and never lets its 
subjects have control over the finished product. Lacy backed away from the film. "I 
remember telling [Eagle Vision], 'You're going to regret this,' " she says.

Lacy doesn't know specifically why Mitchell balked at the film, but she has her 
suspicions. 

"I thought it was a gossipy show, but I didn't think it had anything to do with her 
art or her music. It wasn't lyrical, it wasn't poetic, it wasn't all the things that I 
would have wanted it to be if I were making the film."

And it spent a great deal of time detailing the singer's early life at the expense of 
her later musical career, when Mitchell's constant musical experiments often took her 
out of the spotlight. 

When Eagle approached her with its dilemma, Lacy agreed to take over as director and 
make a new film -- if Mitchell agreed to give up editorial control.

The singer/songwriter acquiesced.

"I think she sensed that our interests in what we wanted to do with the film were more 
compatible with her interests," says Lacy.

By the time Lacy was finished with her reworking, Mitchell's Canadian childhood was 
reduced to the barest essentials; it is portrayed in the film as little more than a 
time when the fledgling artist was more interested in painting than music. The 
original film featured reminiscences with Mitchell's parents, anecdotes about a 
favourite teacher, Mitchell's own memories of her bout with polio and her keen sense 
of alienation from her classmates. All of this, along with the yearbook photos and 
family snaps, are missing from the new film.

Gone as well is much of her time on the Canadian folk scene, and the way in which 
singers like Leonard Cohen influenced her.

Lacy says she was "eliminating things I didn't thing were germane if you have only 90 
minutes as opposed to a book [to fill]."

Not all the cuts pleased Mitchell, Lacy admits. "She has a perspective on her own 
history that not necessarily always can be borne out."

In the original film, for instance, there is an extensive section dealing with 
Mitchell's relationship with her first husband, singer Chuck Mitchell. They had met at 
a Toronto club shortly after the teenage singer had quietly given birth to her 
daughter, the product of a brief relationship in art college. With her child in foster 
care, Mitchell went on the road with her future husband and, she says in the film, 
agreed to marry him as a way of providing for her daughter, though he subsequently 
refused to raise her. She paints Mitchell, and his role in her life, in far darker 
shades than Lacy lets her get away with in tonight's film.

Joni Mitchell: A Woman of Heart and Mind is ultimately a more polished and thoughtful 
treatment than the earlier work. It includes an enlightening segment on her 
relationship with Graham Nash and how her decision to leave him preceded a new era of 
soul-searing self-reflection in her work. There is also a detailed look at her 
collaboration with Charlie Mingus on his swan song album, and unprecedented footage of 
Mitchell with her daughter, with whom she was reunited in recent years, and her 
grandchildren.

Over all, the film makes clear Mitchell's frustration with the general lack of 
recognition for her later career.

"We're all human; we like people to like what we do," says Lacy. "I think she's had 
her ups and downs and disappointments, but I think she's in a very clear and strong 
place today."

The Ottawa Citizen
) Copyright 2003 Vancouver Sun
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