Bob's eloquent suggestion; "What WOULD be interesting, and far more
meaningful I think, would be to match 
Joni's albums with partners for ourselves."

A great idea, after all, I think this is what drives us to be so curious
about what romantic aspects of Joni's life the music coincides with -
it's a comparative thing, a way to feel closer to an artist; i.e.
"Are/Were we going through the same thing?"

In light of that, I must once again express my appreciation for "Night
Ride Home". This disc came out while I was up at college in New Hampshire
and dating the last woman of romantic significance in my life (I jumped
ship for beings of a more burly appeal after that, and it remains that
way to this day). The day the CD was released, I cut class and drove to
Keene to pick it up. It was later winter/early spring, which if the mud
isn't completely out of control, can be a magical time in New England. My
girlfriend, Rachel, was so excited to be present for a new Joni release,
being able to share it with me etc; this became 'our record'. Though it
was not July, the title track signified a very romantic period for us, a
magical time that I will never forget and that, sadly, many people only
experience once in a lifetime. Though the disc certainly does not ride
along like one blissful bonanza all the way through, the  bittersweet
themes of aging, acceptance, and reluctant contentedness I believe apply
universally to the shift in romance when a domestic dependance and
routine take over, often leaving people wondering what happened to the
fireworks. For the time in which the disc was written, I think Joni was
trying to reconcile these same feelings, and the title track is evidence
that romantic moments wax and wane, but certainly are still possible if
love is true.
  
As my relationship with Rachel began to buckle under the strain of my
sexual confusion, an element of loss crept into the picture, which I can
also hear on NRH. In keeping with these themes, the CD ends with "Two
Grey Rooms", which chokes me up TO THIS DAY and without fail, an
indelible memory of a love never quite recovered from. Rachel and I
remain close these days, and NRH will always be a time capsule for us, a
reminder of the ups and downs that our relationship went through in it's
initial stages.

Though I won't completely unhash this one, "Turbulent Indigo" was
released at the 'beginning of the end' of a long term relationship with a
man here in Boston. I remember sitting in the living room with him,
listening to the last bits of "The Sire of Sorrow" on the advance tape
that Wally had sent me, and Greg turning to me and saying "It sounds like
she feels all her Gods have failed her;" needless to say, I just burst
into tears. Even now, I can barely listen to "Last chance Lost". -Chris
NP:Stone Temple Pilots "No. 4"
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