The liner notes for Clark Carlton's CD "Saltwater" pay homage to Joni Mitchell, and ardent listeners of Ms. Mitchell's albums will have no difficulty hearing the similarities between the two singer-songwriters. Clark offers up a very powerful set of well-crafted songs for "Saltwater" that showcase his musical talents. It's an eclectic mix of studio layering, catchy hooks, and broad dynamics, all held together by his voice and guitar, guided by his musical vision. Opening with "Matthew," a tribute/lament, Carlton lets us know what's in store here: excellent production, a sense of drama, and a few surprises. Utilizing synthy violin/string overdubs set in front of tablas, there are many pleasant moments to be uncovered. Among the varied and tasteful background colors on "Sugar Zone" is a ticking clock and a sweet horn arrangement. Coupled with Carlton's own harmony vocals, it's a wonderfully complex canvas. The segue into "Shine" is seamless and this up tempo number has an exciting groove. Rather than pound away, though, the songwriter chooses to break things up in the middle with a quiet passage which effectively bridges the opening with the rocking end. "Saltwater, churning in the sea...saltwater, dripping from my skin." The title track strips away all the layers previously used and leaves us with the man and his guitar...and his musings. This haunting ballad intrigues and beguiles. It was at this point in the album where I felt Clark really opened up a lot of himself. This is perhaps the most difficult task of the singer-songwriter: being open, honest, and true without becoming transparent. Expressing inner thoughts and abstractions without becoming obtuse. Clark ably manages on all counts, his powerful voice and slight dissonances preserving a bit of mystery. A very fine balancing act pulled off to perfection. Clark stretches his vocal skills on "Moonless Night" but never shows the slightest bit of strain. "Boys on Sand" is a campy fun tune which seems to fit right in with the "Saltwater" theme. Saving perhaps the best for last, Carlton closes with "Most of All," which to my ear sounds very much like something Joni herself might have written. It's solo Clark Carlton vocals and guitar, enhanced in the studio with just a touch of reverb. This song effectively recaps the entire album with its melodic twists, stylish vocals, and thought-provoking lyrics. This is the good stuff. Clark, if you're reading this, you should be damn proud. "Saltwater" is a great accomplishment. It defies categorization. Pop, rock, folk...I don't know. What I do know is that I like it a lot. Scott
