TEH...??? Teh Boh atau Teh Lipton atau Teh Tarik .... kah kah kah
Canda ....
Abang MH, maaflah sebab saya kurang mahir mengenai PANTUN, SYAIR dan GURINDAM
Lee hanya mempelajari Kesusasteraan Melayu semasa di Menengah 6 ( A Level)
sahaja dan tidak diteruskan semasa menuntut di Universiti Malaya dan semasa di
Menengan 4 & 5 (O Level) saya dalam aliran sains.
Di sini saya cuba menjelaskan di antara perbezaan PANTUN, SYAIR dan GURINDAM
yang terdapat dalam Kesusasteraan Melayu (refresh my memory) ha ha ha
1. PANTUN
Untuk menyatakan curahan hati
A. Tiap baris terdiri daripada 8-12 suku kata
B. Tiap bait terdiri daripada 4 baris
C. Rimanya: a b a b
D. Baris 1 dan 2 merupakan sampiran
E. Baris 3 dan 4 merupakan isi
F. Pantun 2 rangkap rimanya a a
CONTOH:
Elok rupanya pohon belimbing,
Tumbuh dekat pohon mangga,
Elok rupanya berbini sumbing,
Biar marah tertawa juga.
Kah kah kah kah ...
2. SYAIR
Untuk melukiskan dan menceritakan berbagai cerita.
A. Setiap bait terdiri daripada 4 baris
B. Tiap baris terdiri daripada 8-12 suku kata
C. Rima akhir sama; a a a a
D. Keempatnya merupakan rangkain cerita, tiada sampiran
CONTOH:
Seri Negeri gelaran diberi.
Sebuah pulau cantik berseri;
Bernaung dibawah sebuah negeri,
Raja berdaulat Paduka Seri. .......( rangkap
pertama)
Lautnya biru pantainya indah,
Makam Mahsuri lagenda sejarah;
Puteri Melayu tak mudah menyerah,
Tujuh keturunan dimakan sumpah. ...(rangkap kedua)
Pulau lagenda dimakan sumpah,
Tujuh keturunan tamatlah sudah;
Kini makmur melimpah ruah,
Semua penghuni tersenyum megah.
....(rangkap ketiga)
3. GURINDAM
A. Tiap Bait terdiri 2 Baris
B. Taip baris 10-14 suku kata
C. Rimanya; a a
D. Terdiri daripada kalimat tunggal yang membentuk majemuk
E. Baris 1 sebab atau alasan; manakala baris 2 akibatnya atau balasannya
F. Isinya nasihat
CONTOH:
Kurang pikir, kurang siasat,
Kelak diri mu pasti tersesat.
Jika kena penyakit kikir,
Sanak saudara akan menyingkir.
Pikir dulu sebelum berkata,
Supaya terelak silang sengketa.
Salam
--- On Thu, 26/8/10, mh <[email protected]> wrote:
From: mh <[email protected]>
Subject: Re: [kisunda] Sastra - Pantun Sunda
To: [email protected]
Date: Thursday, 26 August, 2010, 5:26 PM
On Thu, Aug 26, 2010 at 2:09 PM, Roslee Kartawi <[email protected]>
wrote:
OK ....
Tetapi Sastera Melayu ada kategori Syair dan Gurindam
Dalam Syair dan Gurindam bahasa rima akhirnya sama seperti dalam pantun
Namun Syair dan Gurindam disampaikan dalam bentuk lagu
Asasnya tetap satu yakni daripada pantun jika dilihat daripada penyampaian dan
bahasa dalam Syair dan Gurindam
cing kumaha contona syair jeung gurindam teh?
--- On Thu, 26/8/10, mh <[email protected]> wrote:
From: mh <[email protected]>
Subject: Re: [kisunda] Sastra - Pantun Sunda
To: [email protected]
Date: Thursday, 26 August, 2010, 1:54 PM
lee, pantun sunda beda bentukna jeung pantun malayu.
pantun sunda mah, bentukna prosa, biasa sok dikawihkeun dipirig ku kacapi.
sastra sunda nu jiga pantun malayu, disebutna sisindiran, jiga kieu geura:
Aya roda di tanjakan,
katinggang ku pangpung jengkol.
Aya ronda gogoakan,
katinggang ku panakol kohkol.
aya listrik di masigit,
caangna kamana-mana.
aya istri jangkung alit,
cangkengna kamana-manabandingkeun jeung pantun malayu:
Sirih junjung sirih pinang
Sirih kami susun bertingkat
Adat dijunjung pusaka dikenang
Bangsa berbudi hidup muafakat
Sirih junjung sirih pinang
Sirih kuning diberi nama
Adat dijunjung pusaka dikenang
Hidup berbudi muafakat bersama
On Thu, Aug 26, 2010 at 1:10 PM, Roslee Kartawi <[email protected]>
wrote:
Thanks for the information
--- On Tue, 24/8/10, mh <[email protected]> wrote:
From: mh <[email protected]>
Subject: [kisunda] Sastra - Pantun Sunda
To: "Ki Sunda" <[email protected]>
Date: Tuesday, 24 August, 2010, 3:11 PM
PANTUN SUNDAby Richadiana Kartakusuma on Tuesday, August 24, 2010 at
1:17pm
Pantun SundaPantun
Sunda is a type of Sundanese oral narrative performance interspersed
with songs and music played on a kacapi, a kind of zither. A pantun used
to be recited during an evening-length performance. A single performer
relates the tales the story of a hero's initiation; the protagonist
leaves his kingdom in order to seek experiences, beautiful princesses to
become his wife, power, other kingdoms to subject, the realization of a
dream (Rosidi 1984a:143); after having succeeded in reaching his goal
he finally returns to his kingdom. Alongside memories of historical
events the stories often contain mythical elements. Pantun were not
written down, the bards often being illiterate, in many case blind.
Originally they had a sacral character, as was clear from the offerings,
until recently made at the beginning of the recitation and also from
the content of the introductory part of the story, called rajah; this
was an invocatory song, imploring the help of divine figures to ward off
bad influences. The form of the pantun was not strictly fixed; however,
the dominant language from employed in most pantun was the octosyllabic
verse. For a detailed description of the nature and form of a Sundanese
pantun you are referred to Eringa (1949), to Hermansoemantri (1977-79).
Currently there are not so many Pantun Sunda shows because there is no
regeneration for reserving the music genre especially when radio has
been a household appliance in West Java. Transcription of pantun storiesPantun
being typically oral text, they were not written down in the Sundanese
literally tradition; only late in the nineteenth century were the first
pantun put down in writing, at first mainly on the initiative or
instigation of Western ( Dutch) person, in the beginning usually in
cacarakan script. After the establishment of Indonesia, Sundanese
scholars made important contributions to the study of pantun, by
publishing more oral texts as well as by critically investigating them.
Special mention should be made of a project by Ajip Rosidi who in the
early seventies had a considerable number of pantun recorded as they
were performed by singers from various areas in West Java (see Rosidi
1973). The recorded pantun was transcribed and in stenciled form
circulated in limited circle. Later on a number of them were published
in book form, such as Mundinglaya di Kusumah (1986). An excellent study
of the literally structure of the pantun was written by Hermansoemantri
(1977-79); Kartini et al. (1984) wrote a useful comparative analysis on
the plot of the pantun, based on a survey of 35 pantun stories. A
valuable work on the musical aspects of pantun performances, based on
extensive data collected in the field, was written by A. N. Weintraub
(1990). In the Sanghyang Siksakanda ng Karesian, dated 1518, pantun are
mentioned: "hayang nyaho di pantun ma: Langgalarang, Banyakcatra,
Siliwangi, Haturwangi, prepantun tanya" (if you want to know pantun,
such as Langgalarang, Banyakcatra, siliwangi, Haturwangi, ask the pantun
singer, Atja and Danasasmita 1981a:14). Throughout the ages many
ancient elements have been preserved, even though the content of the
stories told and the language used underwent changes and adaptations.
Not only are there a number of Arabic words present in many pantun
texts, which in pre-Islamic Old Sundanese text are lacking; the
repertoire of present-day pantun singers include Islamic tales as is
clear from the list in Weintraub (1990:23-4). List of Pantun StoriesBased on
Budi Rahayu Tamsyah in his book "Kamus Istilah Tata Basa jeung Sastra Sunda",
there are pantun stories as follow:
Ciung WanaraLutung KasarungMundinglaya di KusumahAria Munding
JamparingBanyakcatraBadak SangorahBadak SingaBima ManggalaBima WayangBudak
ManjorBudug Basu /Sri Sadana / Sulanjana
Bujang PangalasanBurung BaokBuyut OrenyengDalima WayangDemung KalaganDeugdeug
Pati Jaya Perang / Raden Deugdeug Pati Jaya Perang Prabu Sandap PakuanGajah
LumantungGantangan Wangi
Hatur WangiJaka SusuruhJalu MantangJaya MangkuratKembang Panyarikan / Pangeran
Ratu Kembang PanyarikanKidang PanandriKidang PananjungKuda GandarKuda Lalean
Kuda MalelaKuda WangiLangla LarangLangga SariLangon SariLayung KumendungLiman
Jaya MantriLutung Leutik / Ratu Bungsu Karma JayaMalang SariManggung Kusuma
Matang JayaMunding JalinganMunding KawangiMunding KawatiMunding LimanMunding
MintraMunding Sari Jaya MantriMunding WangiNyi Sumur BandungPaksi Keling /
Wentang Gading
Panambang SariPanggung KaratonParenggong JayaRaden Mangprang di KusumahRaden
TanjungRaden TegalRangga Sawung GalingRangga GadingRangga KatimpalRangga Malela
Rangga SenaRatu AyuRatu PakuanRinggit SariSenjaya
GuruSiliwangihttp://www.facebook.com/notes/richadiana-kartakusuma/pantun-sunda/424613039474
