From: Sara Guerrero <[EMAIL PROTECTED]>
Date: Wed, 4 Jan 2006 11:22:01 -0800 (PST)
Subject: [OCmujeres] Free Theatre Workshop! 
COLLABORATION: THE ALCHEMY OF ARGUMENT & AGREEMENT

Center for Theatre of the Oppressed and Applied Theatre Arts, L.A.
and Fringe Benefits

Invite you to JOIN US! for

COLLABORATION:
THE ALCHEMY OF ARGUMENT & AGREEMENT

Co-facilitated BY Chris Anthony & BJ-DODGE

Sunday, January 8, 2006
 From 2pm to 5:00pm
At USC’s PED Building, Room #207
(Directions & Accessibility info below)

FREE!
This workshop is free; but Chris and BJ encourage that donations be made
to the sponsoring organizations: CTO/ATA/LA and Fringe Benefits.

RSVP to Brent Blair – [EMAIL PROTECTED]

ALL are welcome!
Activists, Artists, Educators, Students,
Adults, Youth, Community Members, etc.


WORKSHOP DESCRIPTION:

!
WHAT:  Collaboration – CO- LABORE: the dictionary 
says that it means laboring together toward a 
common goal. This workshop will explore the 
goals, styles and expectations around 
collaborations. Chris and B.J. both collaborate 
for a living, making original and adaptations of 
text with youth. We will set up models and 
anti-models of collaborative groups and identify 
the tensions and roles within them.

Next, we wil! l form collaborative groups and arm 
them with a modest set of ground rules, a 
composition list, a box of materials, and turn 
them loose to create a 3-5 minute performance, 
the style of which will be chosen from a menu 
including: performance art, experimental 
performance, performance for the White House, a 
children’s theater school tour, a parade, etc.

  WHO:  This workshop will benefit those who wish 
to collaborate artistically, educationally, 
politically and across disciplines. The part! 
icipants will be able to identify some of the 
inevitable frictions that develop in the course 
of collaboration, and to discover some options 
for response to those frictions.

WHAT TO WEAR:  Comfortable clothing and sensible shoes.


ABOUT THE CO-FACILITATORS:

B.J. Dodge is Director of the Community Arts 
Partnership’s Cal Arts/Plaza de la Raza Youth 
Theater Workshop. She has an abiding interest in 
collaboration, especially with youth. A faculty 
member of Cal Arts since 1984, she also works 
with “Ready, Set, Play!” as part of a 
collaboration with L.A.’s Best and the Center 
Theater Group. An occasional performer, she has 
trained with Burning Wheel an! d the S.I.T.I. 
Company for the last 4 years, and recently 
performed with Terence McFarland and a group of 
colleagues as part of REDCAT’s Now Festival. She 
is also on the Board of Fringe Benefits and a 
member of the Core Council of CTO/ATA/LA.

Chris Anthony is the Director of Youth and 
Education for Shakespeare Festival/LA. She is a 
director, teacher, administrator and actor 
specializing in community-based art making. 
Holding a Master of Fine Arts from California 
Institute of the Arts, she has taught in venues 
ranging from Elementary Schools to Adult 
Correctional Facilities. She has spent ten years 
working with Shakespeare Festival/LA, holding 
every position ! from guest artist to Program 
Director in the Will Power to Youth program. 
Chris is also the program director for Will Power 
to Schools, a professional development program 
for in-service teachers. Chris has worked with a 
wide range of community-based theatre programs, 
including the Community Arts Partnership (CAP) 
program at California Institute of the Arts where 
she was both administrator and teacher. Through 
that program she was Assistant Director of the 
Plaza de la Raza Theatre workshop for several 
years. Chris was also coordinator of the Plaza de 
la Raza Puppetry program. Chris has worked with 
Cornerstone Theatre as a director, writer and 
performer in their company shows and their 
Festival of Faith.  She has been a workshop 
leader and performer for Fringe Benefits Theatre, 
teaching workshops to encourage tolerance on school campuses.






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