Hi.  If you're not hip to the first, pop-oriented paragraphs, just
skip them.  Rich presents powerful and important truths, not
truthiness.  Dowd then directs the argument to where it must go.
Ed

http://select.nytimes.com/2006/01/22/opinion/22rich.html?pagewanted=1&th&emc=th

Truthiness 101: From Frey to Alito
By FRANK RICH
NY Times Op-Ed: January 22, 2006

IF James Frey hadn't made up his own life, Tom Wolfe would have had to
invent it for him. The fraudulent memoirist is to the early 21st century
what Mr. Wolfe's radical-chic revelers were to the late 1960's and his Wall
Street "masters of the universe" were to the go-go 1980's: a perfect
embodiment of the most fashionable American excess of an era.

As Oprah Winfrey, the ultimate arbiter of our culture, has made clear, no
one except pesky nitpickers much cares whether Mr. Frey's autobiography is
true or not, or whether it sits on a fiction or nonfiction shelf at Barnes &
Noble. Such distinctions have long since washed away in much of our public
life. What matters most now is whether a story can be sold as truth,
preferably on television. The mock Comedy Central pundit Stephen Colbert's
slinging of the word "truthiness" caught on instantaneously last year
precisely because we live in the age of truthiness.

At its silliest level, this is manifest in show-biz phenomena like Jessica
Simpson and Nick Lachey, juvenile pop stars who merchandised the joy of
their new marriage as a lucrative MTV reality series before heading to
divorce court to divvy up the booty. But if suckers want to buy fictional
nonfiction like "Newlyweds" or "A Million Little Pieces" as if they were
real, that's just harmless diversion.

It's when truthiness moves beyond the realm of entertainment that it's a
potential peril. As Seth Mnookin, a rehab alumnus, has written in Slate, the
macho portrayal of drug abuse in "Pieces" could deter readers battling
actual addictions from seeking help. Ms. Winfrey's blithe re-endorsement of
the book is less laughable once you start to imagine some Holocaust denier
using her imprimatur to discount Elie Wiesel's incarceration at Auschwitz in
her next book club selection, "Night."

This isn't just a slippery slope. It's a toboggan into chaos, or at least
war. As everyone knows now - except for the 22 percent, according to a
recent Harris poll, who still believe that Saddam helped plan 9/11 - it's
the truthiness of all those imminent mushroom clouds that sold the invasion
of Iraq. What's remarkable is how much fictionalization plays a role in
almost every national debate. Even after a big humbug is exposed as
blatantly as Professor Marvel in "The Wizard of Oz" - FEMA's heck of a job
in New Orleans, for instance - we remain ready and eager to be duped by the
next tall tale. It's as if the country is living in a permanent state of
suspension of disbelief.

Democrats who go berserk at their every political defeat still don't
understand this. They fault the public for not listening to their facts and
arguments, as though facts and arguments would make a difference, even if
the Democrats were coherent. It's the power of the story that always counts
first, and the selling of it that comes second. Accuracy is optional. The
Frey-like genius of the right is its ability to dissemble with a straight
face while simultaneously mustering the slick media machinery and expertise
to push the goods. It not only has the White House propaganda operation at
its disposal, but also an intricate network of P.R. outfits and fake-news
outlets that are far more effective than their often hapless liberal
counterparts.

The selling of Samuel Alito is a perfect illustration of how our world
works. From the moment Judge Alito emerged from Harriet Miers's penumbra,
his supporters' story line was clear: he'd be presented as a humble exemplar
of American values too mainstream to be labeled "out of the mainstream" by
his opponents. In his first courtesy calls on Capitol Hill in November, we
learned, Judge Alito often cited his father as a proud immigrant who
instilled in him empathy for minorities and the poor - an empathy not
remotely apparent in the judge's legal record. A particularly poignant
anecdote had it that his father had once defended a black basketball player
from discrimination in college.

Yet David Kirkpatrick of The Times reported then that "some colleagues and
friends of the elder Mr. Alito, who died in 1987, said they had never heard
some of the stories his son has recounted, including the episode about his
support for the black student and the fact that his father immigrated from
Italy as a child." No matter. If such questions couldn't stop an Oprah Book
Club selection, they certainly wouldn't stop a nominee to the Supreme Court.

Once Judge Alito came before the Senate Judiciary Committee, the Democrats
decided to counter the Republicans' story by coming up with a fictional
story of their own, or that's what they did once they stopped bloviating.
Their fictional biography cast Judge Alito as an out-and-out bigot. The
major evidence cited to support this characterization was his listing his
membership in Concerned Alumni of Princeton (CAP), a conservative group
founded in reaction to the upheavals of the Vietnam era, on a job
application for the Reagan Justice Department.

Judge Alito testified that he had joined CAP because it supported the
R.O.T.C. on campus, adding that he did not remember having "done anything
substantial in relation to this group, including renewing my membership."
The Democrats plunged on, betting the house (or the Supreme Court) on Teddy
Kennedy's insistence that Judge Alito could be linked to what the senator
described as CAP's "repulsive anti-woman, anti-black, anti-disability,
anti-gay pronouncements." In one of only two dramatic moments in the whole
soporific confirmation process - a "Sunshine Boys"-style spat with the
committee chairman, Arlen Specter - Mr. Kennedy threatened to subpoena CAP
"documents in the possession of the Library of Congress" to hunt down Judge
Alito's bigotry.

There was only one problem with the Democrats' fictional story line: it had
been exposed as fake on the front page of The Times weeks before Mr. Kennedy
presented it to the nation. Mr. Kirkpatrick reported that he had examined
the same papers Mr. Kennedy was threatening to subpoena - as well as some
others at Princeton's own library - and found no trace of Judge Alito's
involvement with CAP as either an active participant or a major donor. When
the Senate committee did Mr. Kennedy's bidding and looked at those documents
yet again, it found exactly what The Times had in November, calling the
senator's bluff and ending any remote chance the Democrats had for keeping
Judge Alito off the court. It says everything about the Democrats'
ineptitude that when they spin fiction, they are incapable of meeting even
the low threshold of truthiness needed to make it fly in this lax cultural
environment.

THE Republicans would never have been so sloppy. Indeed, hardly had Mr.
Kennedy's melodramatic stunt blown up in his face than they came up with a
new story line prompted by the other dramatic incident in the hearings: the
departure of Martha-Ann Alito from the committee room in tears. She fled
while a Republican senator, Lindsey Graham, was mocking the Democrats, not
when the eminently mockable Democrats were mounting their lame assault.
Whatever. As Time magazine later reported, a P.R. outfit called Creative
Response Concepts immediately pumped up the media volume of her supposed
martyrdom, breathlessly producing a former Alito clerk to provide eyewitness
testimony of her suffering at the hands of those Democratic brutes.

Creative Response Concepts did similar work for the Swift Boat Veterans for
Truth during the 2004 campaign. Its roster of clients also includes the
right-wing Media Research Center, itself the parent organization of
something called the Cybercast News Service. For the new year, Cybercast
News has an exciting fictional project of its own: just before John Murtha,
the tough Congressional critic of the Iraq war, appeared on "60 Minutes"
last Sunday, it started Swift Boating him by rewriting his Vietnam history
to besmirch the legitimacy of his two Purple Hearts.

If Karl Rove's White House propaganda factory is the NBC Universal or Time
Warner of G.O.P. fictionalization, then the Miramax and Focus Features of
the right are such nominally "independent" satellites as Cybercast News, the
Lincoln Group (which places fake news stories in Iraqi newspapers), the
Rendon Group (which helped manufacture the heroic image of Ahmad Chalabi)
and the now-dormant Talon News (the fake Republican-staffed news site whose
fake White House correspondent, Jeff Gannon, was unmasked last year).

Fittingly enough against this backdrop, last week brought the re-emergence
of Clifford Irving, the author of the fake 1972 autobiography of Howard
Hughes that bamboozled the world long before fraudulent autobiographies and
biographies were cool. He announced that he was removing his name from "The
Hoax," a coming Hollywood movie recounting his exploits, because of what he
judged its lack of fidelity to "the truth of what happened." That Mr. Irving
can return like Rip van Winkle after all these years to take the moral high
ground in defense of truthfulness is a sign of just how low into truthiness
we have sunk.

To my readers: Starting next week, I will be on a book leave, writing
nonfiction about our post-9/11 fictions. See you in the spring.

***

"Those who want to re-evaluate the strategy in Iraq are soft. Those who want
to rein in the Patriot Act are soft. Those who question the Alito doctrine
of presidential absolutism are soft. Those who don't want to break the law
and snoop on Americans are soft - not just soft, but practically
collaborating with the terrorists."

http://select.nytimes.com/2006/01/25/opinion/25dowd.html?th&emc=th

Delusion and Illusion Worthy of Dickens
By MAUREEN DOWD
Published: January 25, 2006
The Democrats will never win the White House as long as they're stuck in
Bleak House. They're slipping and sliding in the same crust-upon-crust of
mud and caboose-creeping fog and soft black drizzle and flakes of soot that
blacken the chamber of law in the opening of the terrific Dickens novel (now
an irresistible PBS series).

The lumbering pace of Jarndyce v. Jarndyce will pale compared with the time
it will take the cowed and colicky Democrats to yank back power from
Republicans skilled at abusing it.
The party simply seems incapable of getting the muscular message and
riveting messenger needed to dispel the mud, fog, drizzle and soot emanating
from Karl Rove's rag-and-bone shop on Pennsylvania Avenue.

As the White House drives its truckload of lies around the country, it
becomes ever clearer that Nancy Pelosi, Harry Reid, Hillary Clinton, John
Kerry and Al Gore are just not the right people to respond to the
administration's national security scare-a-thon.

We got mired in Iraq in the first place partly because Dick Cheney and Rummy
thought that, post-Vietnam and post-Clinton, America was seen as soft. One
shock-and-awe session, one tyrant stomped on, they reckoned, and the Arab
world would no longer see Americans as wimps. That reasoning turned out to
be dangerous, flying in the face of warnings from our own intelligence
experts.

But Karl Rove is still dishing out the same line, and it's still working:
those who want to re-evaluate the strategy in Iraq are soft. Those who want
to rein in the Patriot Act are soft. Those who question the Alito doctrine
of presidential absolutism are soft. Those who don't want to break the law
and snoop on Americans are soft - not just soft, but practically
collaborating with the terrorists.

"Republicans have a post-9/11 worldview" on national security, Mr. Rove said
last week, "and many Democrats have a pre-9/11 worldview. That doesn't make
them unpatriotic, not at all. But it does make them wrong - deeply and
profoundly and consistently wrong."

But you only need to check the paper daily to see that this administration
has been deeply and profoundly and consistently wrong on everything: from
the promise to rebuild Iraq and the consequences of deploying a strained
Army this long in an insurgent war to the failure to respond to the
aftermath of Katrina, after dissembling about pre-storm alarms.

The bumbling Bush team that ignored the warning "Bin Laden Determined to
Attack Inside the United States" also ignored one that went something like:
"Katrina Determined to Attack New Orleans." And now the White House is
trying to inhibit Congressional questions on Katrina, just as it did for the
9/11 inquiries.

The administration's p.r. offensive on warrantless - and questionably
effective - snooping is so aggressive that it has even risked exposing the
president to an occasional unscripted, but still not tough, question. So he
rambles on about steering clear of "Brokeback Mountain" and the therapeutic
value of mountain biking. And he calls Barney, the Scottish terrier, "the
son I never had." (Barney's dad is all bark and no bite.)

The White House is as skittish about bilked Indians as it is about
billing-and-cooing cowboys. It admits it has pictures of the president with
Jack Abramoff, but won't cough them up.

While he was out defending his scofflaw behavior, W. had to address the fact
that the real nuclear threat (Iran), as opposed to the fake nuclear threat
(Iraq), is embarrassing him. He told the Iranian people: "We have no beef
with you." (State Department reporters puzzled over how that might be
translated into Farsi: "We have no cow with you"?)

You couldn't turn on a TV this week without seeing Torture Guy Alberto
Gonzales give all-purpose legal cover to Dick Cheney as that Grim Peeper
ravages the Constitution. At a Georgetown University speech, W.'s legal
lickspittle ignored a few student protesters, but he might have learned
something from their banner, emblazoned with words of Benjamin Franklin:
"Those who would sacrifice liberty for security deserve neither."

In their usual twisted way, the Bushies are reducing their abuse of the law
to a test of testosterone - knowing that the Democrats will play Judy to
their Punch.

The Dems need to drum up a decent message so they look as if they know what
the Dickens they're doing before the November election. Otherwise, they'll
look like bowed supplicants holding out gruel cups to Karl Rove and
pleading, "Please, sir, I want some more."







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