The travelling oasis of absurdity
Apr 12th 2006 | JENIN
 From The Economist print edition

On the road with six clowns in Israel and Palestine 

THE Jenin refugee compound, more than 50 years old and one of the oldest 
camps in Palestine, is home to 13,000 people, half of them under 15. It 
was the centre of some of the fiercest fighting during the second 
intifada, and even today many of its schools remain closed. When Israeli 
soldiers used to enter the camp, the children would automatically put 
down their schoolbooks and pick up stones. 

Not knowing when the next military raid will burst upon them and with 
little opportunity to escape, Jenin's children have a far from stable 
upbringing. But over the past month one school playground has been been 
taken over by a carnival atmosphere. There are no advancing tanks, no 
explosions, no bloody deaths of local martyrs. Instead, from among a 
phalanx of laughing children, emerges a group of flat-footed clowns who 
have wandered, seemingly lost, into the cement and wire enclosure. A few 
minutes later the children are sitting quietly on the floor and the show 
can begin. 

For more than an hour a loud, chaotic and colourful circus event rolls 
out mysterious card and water tricks, absurd clown skits, juggling of 
all varieties and a generous helping of good old slapstick comedy--the 
loudest laughs often coming, as they always do, when the low- status 
clowns ridicule the big-boss clown behind his back. 

Volunteers are pulled out of the crowd to be a part of the performance 
and after uttering the immortal words "Chillybah Chillyboo!" they are 
amazed to see water disappear, cards pulled out of hats, magic wands 
extending above their heads and a real dart being thrown and caught in a 
clown's mouth. Even children as tough as these grow shy and tongue-tied 
on stage in front of their peers, but there is always that look of pride 
and a pure joy at being the one selected. 

Boomchucka Circus, formerly Circus2Iraq, has been touring Israel and 
Palestine for two months. Originally from Britain, it is made up of six 
fools who answered an advertisement last November looking for performers 
to create a circus show for children living on both sides of the conflict. 

For the children, the show is a new experience: a humorous, high-energy 
piece of foolish theatre that transcends the boundaries of culture, 
language, age and race. But there are lessons for the actors as well. 
The troupe operates as a collective, with each clown funding his own 
way. Riding on buses, eating handouts on the street and sleeping on 
floors, often in return for nothing more than the offer of a chance to 
learn a little sleight of hand, has given the six actors a clearer 
insight into the daily lives of the local people and the reality of 
trying to conduct a relatively normal existence within a war zone than 
any number of subscriptions to 24-hour television ever could. Perhaps 
the politicians should sign up for the tour. 

Copyright © 2006 The Economist Newspaper and The Economist Group. All 
rights reserved. 

PHOTO CAPTION: They should have tried this in Denmark

http://www.economist.com/books/displayStory.cfm?story_id=6795415


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emma rosenthal is a disabled artist, writer, educator, activist and consultant, 
living in southern california.

emma rosenthal
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