I loved George Carlin, but only late recognized his kinship with
the best of traditional music, mainly because his language would
have offended many of the artists and their audiences.  I never did
solve that dilemna, but my fascination with roots music was always
partly because of the way it dealt with real life, much of it in metaphor.
That was partly due to the religiousity which provided a sustaining
comfort, glue for their community and a place people could speak.
But also,  this music is always, always made by oppressed people
who have to cover their meanings, or else!  Think the coded language
of spirituals during slavery.  It also held for white people, though deeply
affected by the crumbs offered by racism.  I had serious discussion
about this with both Merle Travis and Johnny Cash, both of whom
were very aware and sensitive to realities in their people.  Artists.
George and his wife recognized what the Ash Grove meant and
donated a lighting system for the short-lived SM Pier club and
we spoke about his performing there when he did a set at a benefit
at the club.  Amazing man.  -Ed

PS.  The Venice Eco-Festival came to me late, but looks great!!


Language Games: The Legacy of George Carlin

by Peter LaVenia / June 24th, 2008

http://www.dissidentvoice.org/2008/06/language-games-the-legacy-of-george-carlin/

George Carlin, one of the most important social critics of the last
half-century, is dead. Carlin, like he was for millions, was a
formative influence on my youth, and via the collective youths of
multiple generations, the national consciousness. He will forever be
remembered for being part of the wave of comedians that turned simple
humor into biting social commentary — the children of Lenny Bruce.

It strikes me that, in many ways, Carlin had turned himself into a
modern Socrates, always questioning our words, thoughts, and actions,
and finding himself disappointed in the lack of reflection in the rest
of us. Carlin acknowledged this in perhaps his most important routine:

“I love words. I thank you for hearing my words. I want to tell you
something about words that I uh, I think is important. I love, as I
say, they’re my work, they’re my play, they’re my passion. Words are
all we have really.”

The Seven Words routine was a milestone not just because Carlin
managed to highlight the dilemma at the core of the modern condition,
but also because it gave us a landmark Supreme Court case on freedom
of speech that highlights how dangerous words can be to the guardians
of mainstream mores, FCC vs. Pacifica Foundation. Carlin’s monologue,
played on Pacifica Radio in NYC, engendered a dispute as to what
constituted decent speech on broadcast media — and the Court decided
that the population needed to be protected from hearing those “deadly”
words spoken by Carlin, who had done so in an effort to help us
enlighten ourselves about the power of speech.

Justice William Brennan, writing in a stinging dissent from the
majority on that decision, stated that: “because the radio is
undeniably a public medium, these actions are more properly viewed as
a decision to take part, if only as a listener, in an ongoing public
discourse.”

Censorship of language is an attempt to silence this public discourse,
to stifle thoughts, actions, and ideas. George Carlin understood this
perfectly well.

Carlin was concerned with pointing out how we, as a society, have
started using euphemistic language as a way to avoid dealing with
tough concepts. This is a corollary — and perhaps more dangerous than
the official censorship — to the FCC’s abrogation of speech on TV and
radio: self-censorship. In one of his books he noted:

“I mentioned several reasons we seem to employ so much of it
[euphemistic language]: the need to avoid unpleasant realities; the
need to make things sound more important than they are… but no matter
what the purpose, the one thing euphemisms all have in common is that
they soften the language. They portray reality as less vivid. And I’ve
noticed Americans have a problem with reality; they prefer to avoid
the truth and not look it in the eye. I think it’s one of the
consequences of being fat and prosperous and too comfortable.”

Of course, the easy political examples are those we’ve been familiar
with for a time now: George W. Bush’s “enemy combatants,” the
“homicide” bombers, collateral damage. Carlin was adept at pointing
these out along with the more common expressions we use between
friends and colleagues. Religious, political, and cultural hypocrites
were not spared his withering gaze — I once noted how a portion of his
audience left during one of his anti-religious diatribes at a concert
of his that I attended.

So what, then, is Carlin’s legacy? At the end of another of his famous
routines he said that “the planet is fine, the people are fucked.” He
was amused with our capacity to, essentially, kill ourselves off as a
species. He said that:

“… it amuses me. Because it means the system is beginning to collapse,
beginning to break down. I enjoy chaos and disorder. Not just because
they help me professionally; they’re also my hobby. I’m an entropy
buff.”

We are inundated with food yet prices are rising and people starve; we
are awash in oil and prices have never been higher; we are aware of
the effects of human-caused global warming and most of us choose to do
nothing except complain about the weather; our government openly lies
and violates Constitutional rights and all we do is shrug. Carlin’s
choice was not to simply laugh at the downward spiral we were all on
(by our choice); that is too superficial a reading of his humor. He
was deeply concerned by the stupidity and violence we do to each other
through laws, morals, and simply not acting.

His legacy, I think, is that our understanding of speech, of words,
and our constant questioning of their meaning and use is our only
outlet to discovering potential truths, to exposing lies, and perhaps
building a world that’s a little nicer to live in, or at least, a
little more amusing. It is, perhaps, a call to action, to understand
that he was bitterly disappointed in how passive most people are in
the face of injustice. In that respect, those of us who are political
activists, or even those of us who are just trying to make small
changes in our lives, could learn from Carlin to keep thinking and to
be the gadfly that won’t let things rest, to tell the truth about the
world in which we live.

Carlin, of course, put it best:

“Here’s the Secret News:
All people are afraid.
No one knows what they’re doing.
Everything is getting worse.
Some people deserve to die.
Your money is worthless.
No one is properly dressed.
At least one of your children will disappoint you.
The system is rigged.
Your house will never be completely clean.
All teachers are incompetent.
There are people who really dislike you.
Nothing is as good as it seems.
Things don’t last.
No one is paying attention.
The country is dying.
God doesn’t care.
Shhhhhh.”

***


The first annual Venice Eco-Fest is this Saturday

FREE at Windward Avenue & Venice Beach!

(See attachment for poster art)

Come experience the future NOW

with 140 Eco-Booths, Plus Performances and FUN!

On June 28, 2008 Venice Beach will be transformed!



Festival Location & Description (Festival Hours: 10 am – 7 pm):

Venice Beach at Windward and Ocean Front Walk (north of Venice Blvd).
Windward Ave. will be closed off from Pacific to Speedway, and filled with
booths.  Across Speedway, the booths will continue into the Venice Beach
Recreation Area.

·         Over 100 exciting Eco-Exhibitors with important planet
preservation tips

·         Sun-powered Sound Stage - All day music, dance, poetry (see
schedule below)

·         Kid's Explor-o-rama with exotic animals, and interactive
shenanigans

·         Graffiti Artists at work using eco-friendly paints on the world
famous art walls

·         Food as Fuel Court with vegetarian delights

·         E-Salvage Recycling Truck in Ross Parking Lot (see location below)
for LARGE E-Waste

Bring your used:  CRT Monitors, Television Sets, Stereo Equipment, DVD & VCR
Players

                                 Computers & Accessories, Scanners & Fax
Machines

·         E-Salvage Recycle Bin on the Beach for SMALL e-waste

Bring your used:  Cell Phones & Accessories, Cell Phone Batteries, Laptop
Battery (only)

·         Filtered Water Stations - BYO reusable water bottle!

·         Million Trees Campaign Tree Give-away

·         Green Outposts for recycling/waste/and compost

·         PLUS-- Free Bike Valet on the handball court



Public Parking:

·         On Venice Blvd. and at the beach lot at the end of Venice Blvd.
(Beach lot fills up early!)

        $6 before 9:00AM,  $12 after.

·         Westminster Elementary School parking lot, on Main St. between
Brooks and Westminster Avenues, for $10.  Walk two blocks west to Ocean
Front Walk, then head approximately 4 blocks south to the festival site.

·         Free parking behind Ross Dress for Less on 1400 Lincoln Blvd.
(Venice 90291) at California Ave.

        Park there and cross at light to the north-west corner of Lincoln
and California to catch the Big Blue #2

        Bus, which runs down California Avenue every 20 minutes, a 7 minute
ride to Pacific Ave. and

        Windward, in front of the festival site. Only 75¢ bus fare per
person.

Ø       Also at the Ross parking lot location will be the station for large
electronic waste disposal, i.e. televisions, computers, radios, etc.  You
may park your car there and dispose of your electronic waste.

Ø       You could also ride your bicycle from this location, and check it at
the FREE Bike Valet.

Ø       Morning volunteers get free parking at the beach.  Call 866-220-2370



Sun-Powered Stage Performance Schedule: Hosted by MC, Stephen L. Fiske

10:00 am: Ritual: Blessing of the festival

10:30 am: The California Dance Institute (CDI) Westminster School Dance
Troop (Carole Valesky, Director)

11:00 am: Canalagators                           11:45 am: Shoeflies
12:30 pm: Stefani Valadez & Band

1:00 pm:   Welcoming  Ceremony with Councilman Bill Rosendahl (Honorary
Chair),

                  Heart of Humanity Award to actor Ed Begley, Jr., plus
Earth Anthem Dance by Blankenship Ballet.

2:00 pm: Stephen L. Fiske & Band        2:45 pm: Blankenship Ballet

3:00 pm: Superbroke Brass and Tin and String Marching Ensemble       3:45
pm: Blankenship Ballet

4:00 pm: Alfred Johnson & Friends      4:30 pm: Eco Fashion Show
4:45 pm: Preeta & the PeaceMakers

5:15 pm: The Luminaries                        5:45 pm: Blankenship Ballet
6: 00 pm: Kathy Leonardo

6:30 pm:  The Backboners

Poets from Beyond Baroque will also be reading



Enjoy the delicious treats, music, art, and dance…

GO GREEN!



This festival is carbon neutral.   You can be too:  www.CarbonCounter.org

Festival Powered by the Sun

All flyers, posters and handbills printed on 100% recycled paper from
Topanga Eco Mail


------------------------------------

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