From: "Bill Totten" <[EMAIL PROTECTED]>
Sent: Tuesday, July 01, 2008 6:29 PM

Not Your Grandma's Depression

by Jim Kunstler

Comment on current events by the author of
The Long Emergency (Atlantic Monthly Press, 2005)

www.kunstler.com (June 30 2008)


This isn't so funny anymore. Intimations of a July banking collapse
rumbled though the Internet this weekend while mainstream news orgs like
The New York Times and CNN pulled their puds over swift boats and Amy
Winehouse's performance technique. Something is happening, and you don't
know what it is, do you Mr. Jones ...? to quote the master.

What's happening is that American society is sliding into a greater
depression than the one Grandma lived through. On the technical side,
there has been unending controversy as to whether we're gripped by
inflation or deflation. It's certainly deceptive. Food and gasoline
prices are rising faster than the rivers of Iowa. But the prices of
assets, like houses, stocks, jet-skis, GMC Yukons and pre-owned Hummel
figurines are cratering as America turns into Yard Sale Nation.

We're a very different country than we were in 1932. In that earlier
crisis of capital, few people had any money but our society still
possessed fantastic resources. We had plenty of everything that our land
could provide: a treasure trove of mineral ores and the equipment to
refine it all, a wealth of oil and gas still in the ground, and all the
rigs needed to get at it, manpower galore (and of a highly disciplined,
regimented kind), with fine-tuned factories waiting for orders. We had a
railroad system that was the envy of the world and millions of family
farms (even despite the dust bowl) owned by people who retained age-old
skills not yet degraded by agribusiness. We had fully-functional cities
with operating waterfronts and ten thousand small towns with local
economies, local newspapers, and local culture.

We had a crisis of capital in the 1930s for reasons that are still
debated today. My own guess is a combination of a bad debt workout that
sucked "money" into a black hole (since money is loaned into existence,
but vanishes if the loans are not systematically paid back) plus a gross
saturation of markets, meaning that every American who had wanted to buy
a car or an electric toaster had done so and there was no one left to
sell to. (The first round of globalism - 1870 to 1914 - had shut down
after the fiasco of World War One.)

Our debt problems today are of a magnitude so extreme that astronomers
would be hard pressed to calculate them. By any rational measure our
society is comprehensively bankrupt. From the federal treasury down to
the suburban cul-de-sacs so much loaned money is either not being paid
back, or is at risk of never being paid back, that the suckage of
presumed wealth has passed through an event horizon out of the known
universe into some other realm of space-time, never to be seen again in
this realm. This would seem to be the very essence of monetary deflation
- money defaulted out-of-existence.

This condition is partly disguised by both the loss of credibility of US
currency and real-world scarcities of oil and food, but the upshot will
be something at least twice as bad as the Great Depression of the 1930s:
people with no money in a land with no resources (with manpower that has
no discipline), hardly any family farms left, cities that are
basket-cases of bottomless need, comatose small towns stripped of their
assets and social capital, an aviation industry on the verge of death,
and a railroad system that is the laughingstock of the world. Not to
mention the mind-boggling liabilities of suburbia and the motoring
infrastructure that services it.

The banks have been doing their death dance for an entire year now,
pretending that their problems are those of mere "liquidity" (that is,
cash-on-hand) rather than insolvency (no cash either on hand or in the
vault and nothing else to sell to raise cash except worthless "creative"
securities that nobody would ever buy). But the destruction of money
(resulting from loans not paid back) is now so intense that the game of
pretend has reached its terminal point. The question for the moment is
exactly who and what will be crushed as these institutions roll over and
die.

Complicating matters is a global oil predicament that is really not hard
to understand, but which the organs of news and opinion have obdurately
failed to explicate for an anxious public. Call it Peak Oil. There are
only a few elements of it you need to know. (1) that demand has now
permanently outstripped supply; (2) that new discoveries are too meager
to offset consumption; (3) That under under the circumstances, the
systems we rely on for daily life are crumbling. I've called this
situation The Long Emergency.

Our chances of mitigating this, and of continuing our current way of
life is about zero. I've tried to promote the idea that rather than
waste remaining resources in the futile attempt to sustain the
unsustainable (that is, come up with "solutions" to keep suburbia
running), that we should begin immediately making other arrangements for
daily life - mainly by downscaling and re-scaling everything from
farming to commerce to the way we inhabit the landscape - but my
suggestions have proven unpopular even among the "environmental" elites,
who are too busy being entranced by new and groovy ways to keep all the
cars running.

So where we are at now is the equivalent of standing in the slop by the
ocean shore under a gathering hundred-foot-high wave that is about to
come crashing down on our heads. Since I sure don't know everything, I
can't say how this will all play out in the months ahead, especially
with the presidential election coming at the exact moment that voters
will be turning on their furnaces for the cold and dark winter beyond. I
would venture to say that so far our society as a whole has done a
piss-poor job of comprehending the situation. But there is still the
possibility, with four months of politicking left, that the nature of
our predicament can be articulated in a way that few can fail to
understand, the way Mr Lincoln articulated the terms of the Civil War on
the eve of its fateful outbreak.

_____

My new novel of the post-oil future, World Made By Hand, is available at
all booksellers.
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From:  Jack Radey & Kathleen 
Re:  Fw: Zinn And Marx In Soho Visit California

Folks, Please post, I can highly recommend this.  I went
pretty dubious, only Howard Zinn as author convinced me
it might be worth it.  Marx in Soho, I was thinking
Manhattan, and expecting Marat/Sade sort of, nihilism vs
Marx, kind of Andy Warhol vs Uncle Karl.  Instead, I
found it is a one man piece, and my disbelief was
suspended from the rafters in about a minute and a half.
It was all I could do not to start arguing with the
actor, not that there was too much I disagreed with.
Please publicize. 

Jack

Hello to all my California friends,

I wanted to drop you a line, say hello, and let you all
know I'll be returning to California, Venice (in LA,) for
a series of performances From July 11- - 20, at the
Electric Lodge Theater.

I also wanted to ask a favor:  If you have any friends
or contacts in the LA area would you please consider
forwarding the info below along with your personal
recommendation?

I also wanted to let you know Howard will be in
attendance for the July 19 performance and if you are
interested in meeting him and seeing the play that night
please call the Electric Lodge Theatre  as soon as you
can.... we have reason to believe the July 19 dates [ 2
shows] will sell out fairly quickly.....

Lastly, I want to thank you all again for your past
support and interest in bringing Howard's play to
California.  THANKS!

Bob Weick
www.ironagetheatre.org/marx.html

  Howard Zinn's MARX IN SOHO

  Featuring Bob Weick as Karl Marx 2 WEEKENDS ONLY ,
July 11-29, The Electric Lodge, Venice Ca.

ABOUT THE PLAY

  Marx launches into a passionate, funny and moving
defense of his life and political ideas in Howard Zinn's
brilliant, timely play, "Marx in Soho." The play is an
excellent introduction to Marx's life, his analysis of
society, and his passion for radical change. Marx uses
current news and events to show how his ideas still
resonate. "Why are you   building more and more
prisons," he asks. "Yes, capitalism has triumphed. But
over whom?" American education,   America's super rich
ruling class, corporate mergers, prisons, and the media
are some of the issues Marx confronts during the course
of the play. Zinn's dialogue doesn't preach, rather it
is full of mischievous humor.

  ABOUT THE AUTHOR

  Renowned historian and activist Howard Zinn is widely
known for his books "A People's History of the United
States," and "The Twentieth Century," to name just two.
Professor emeritus at Boston University, Zinn grew up in
Brooklyn and worked in the shipyards before serving as
an Air Force bombardier in WWII. Zinn was the chair of
the History Department at Spelman College where he
actively participated in the civil rights movement. He
now lives in Massachusetts and lectures widely on
history and politics.

  ABOUT THE ACTOR

  Celebrated actor Bob Weick has been actively touring
MARX IN SOHO for 4 years with over 150 productions
around the country from Maine to California. It has been
a boon to theater companies as well as college educators
who are teaching Marxist philosophy and history in an
engaging and entertaining way.

  REVIEWS

  "... (Weick) captured Marx and his ideas with the
proper strength and subtlety, moving very effectively
through a range of moods: humorous, angry, poignant. We
admired Weick's transitions; change of pace, the nuances
of feeling. In short, I am very happy with what they've
done. John Doyle directs the play brilliantly."

  Howard Zinn

  "What a pleasure to have Bob Weick perform Howard
Zinn's play, Marx in Soho, as the launching event for
our Zinn Academic Lecture Series! Not only was it
packaged expertly to make it extremely easy to produce,
all costs were most affordable for our institution. We
searched for a variety of ways to engage students in the
series - an art project, lectures, a video presentation
- including a professional theatrical performance was a
perfect addition. And, Bob's performance was awesome.
What a success!"

  Susanna Branch, Chapman University

  "If you didn't see the play, it's worth coming out in
the rain for tonight! Howard Zinn says the actor, Bob
Weick, gives the best performance he has ever seen. It
is powerful, funny, moving, illuminating, and thought
provoking! It is understandable to want to stay cozy on
a night like this, but I promise you that you will be
glad you came...! Last night a full house gave a
standing ovation...."

  Eve Lyman, Boston Mobilazation



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