From: Bella De Soto <[email protected]>

Shutting Down Public Access TV,
AT&T and L.A. City Hall quietly lead a national push to silence the little guy

By Patrick Range McDonald
Published on December 10, 2008

The day before Thanksgiving, Zuma Dogg, an 
outspoken community activist who has a comedian’s 
sense of the absurd, stands in the far back of 
the thinly attended City Council meeting at Los 
Angeles City Hall, waiting his turn to speak 
during the public-comment period. Wearing a black 
ski cap pulled down to his eyes, with black 
wraparound sunglasses and a black, long-sleeved 
T-shirt, he looks like a bank robber. But as host 
of The Zuma Dogg Show, he’s not only one of the 
most recognizable figures at City Hall, cordially 
greeted by passersby, including security guards 
and Mayor Antonio Villaraigosa, he also has the 
ear of high-level insiders, who feed him 
information in the hope that he’ll expose, and 
possibly stop, one questionable government project or another.

“People say no one watches public access,” Zuma 
Dogg uncharacteristically whispers, “but if 
you’re on there consistently, then people 
absolutely watch it. You now have a guy who’s 
famous in L.A. and without spending a lot of 
money. Public access changed my life.”

Zuma Dogg, who takes his stage name from Zuma 
Beach and the rapper Snoop Dogg, hears City 
Council President Eric Garcetti politely call out 
his name for the hundredth time or so in the past 
few years. He hustles off to the podium at the 
front of the cathedral-like chamber, where bright 
lights shine down from the ceiling and automated 
television cameras roll for L.A. CityView, the 
public-access channel that broadcasts every City Council meeting.

“I’m hearing rumors of a hiring freeze over fire 
and police!” Zuma Doggs yells into the 
microphone. “Will the council member who has that 
idea please raise his hand because I’d like to 
say it’s the stupidest, dumb idea! It’s 
outrageous! How can you put a hiring freeze on 
fire and police? It’s the first line of defense 
of public safety and the city, and here’s why I’m 
really upset! You did nothing but put up 
high-density [apartment and condo] projects! High 
density! With millions of people! So you’re 
prepared for all of these people! You must keep 
up with the fire and police hiring to go with the population boom!”

After his allotted two minutes are over, Zuma 
Dogg takes a breath and returns to the back of 
the council chamber, where strangers, who enjoyed 
the hard time he was giving to city leaders over 
the crowded new housing erected in L.A., give him 
the thumbs-up, shake his hand, and, on two 
separate occasions, slide him 20-dollar bills. 
Since he spends most of his time producing 
public-access shows and attending City Council 
meetings and hearings, Zuma Dogg doesn’t hold a 
traditional job. Instead, fans and friends help 
him get by. In fact, in his first years on the 
scene, because he sometimes slept in his van, he 
was quietly derided by insiders, including a 
gaggle of journalists who attend council 
meetings, the subtext being, who cares what some homeless guy thinks?

His persistence, and now, even critics must 
admit, his growing expertise on city policy and 
city government, have changed all that. “I always 
feel the love,” Zuma Dogg says. “I walk down the 
street anywhere in this city and people are 
always coming up to me. I think they’re a little 
more generous today because of Thanksgiving.”

Zuma Dogg largely built his cult status, and the 
much-needed donations that came with it, through 
appearances as a rapping, rhyming watchdog of the 
Downtown powers on such public-access stations as 
Channel 98 on the Westside. Just last week, he 
turned that notoriety into the ultimate 
public-access fantasy: The Los Angeles City Clerk 
formally approved his signed petitions, 
officially placing his name on the March 3, 2009, 
ballot in his exceptionally improbable run for mayor.

Despite his standing as the Eminem of public 
access in L.A., he may have already involuntarily taped his final cable show.

If everything unfolds as planned, on January 1, 
Time Warner, which owns more than 90 percent of 
the cable-television market in Los Angeles, will 
walk away from operating 12 public-access studios 
in L.A, which help everyday people to create 
hundreds of hours of content on 11 freewheeling, 
neighborhood-based public channels.

The dozen studios will go dark, their freely 
provided TV cameras and other pricey equipment — 
now available for anyone in L.A. to use without 
charge — will immediately be off-limits, and most 
of the little guys who dominate public access will be silenced.


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Change-Links Progressive Newspaper
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