----- Forwarded Message -----
From: Tal Badrawi <[email protected]>
To: 
Sent: Saturday, October 6, 2012 6:01 AM
Subject: [AmeriConscience] The documentary that should make every decent 
Israeli ashamed
 



The documentary that should make every decent Israeli ashamed 
No moments of reprieve in the probing documentary by Emad Burnat and Guy 
Davidi, "5 Broken Cameras," which chronicles the struggle in the West Bank 
Palestinian village of Bil'in. 
By Gideon Levy | Oct.05, 2012 | 10:40 AM 
 
The soldiers arrive in the dead of night. They kick, they smash, they destroy. 
They break in, rudely awakening an entire house and its inhabitants, including 
children and babies. One officer pulls out a detailed document and declares: 
"This house is declared a 'closed military zone.'" He reads the order - in 
Hebrew and in a loud voice - to the sleep-dazed, pajama-clad family. 
This young man successfully completed his officers' training course. Perhaps he 
even believes, deep down, that someone has to do this dirty work. And he reads 
out the order solely to justify why the father of the household, Emad Burnat, 
is forbidden to film the event on his own video camera. 
There are no moments of respite or reprieve in the probing documentary by Emad 
Burnat and Guy Davidi, "5 Broken Cameras," which was screened, among other 
places, at the Tel Aviv Cinematheque last weekend after collecting a number of 
international prizes and having been shown on Channel 8. 
This documentary should make every decent Israeli ashamed of being an Israeli. 
It should be shown in civics classes and heritage classes. The Israelis should 
know, at long last, what is being done in their name every day and every night 
in this ostensible time of no terror. Even in a West Bank village like Bil'in, 
which has made nonviolence its motto. 
The soldiers - the friends of our sons and the sons of our friends - break into 
homes in order to abduct small children, who may be suspected of throwing 
stones. There is no other way to describe this. They also arrest dozens of the 
organizers of the popular weekly protest at Bil'in. And this happens every 
night. 
I have often been to this village, to its protests and to its funerals. Once or 
twice I joined the Friday demonstrations against the separation fence that was 
built on its land to enable Modi'in Ilit and Kiryat Sefer to rise on its olive 
groves. I have breathed the tear gas and the stinking "skunk" gas. I have seen 
the rubber bullets that wound and sometimes kill, and the violent behavior of 
the soldiers and the police toward the demonstrating inhabitants. 
Yet nevertheless, what I saw in this film shocked me more than all those hasty 
visits. The apartment buildings of Modi'in Ilit are swallowing up the village, 
just like the wall that was built here on their land. The inhabitants decided 
to embark on a struggle for their property and their existence. With a mixture 
of naivete, determination and courage - and, now and then, some exaggerated 
theatricality - the residents undertake various gimmicks, with the help of a 
handful of Israeli and international volunteers. 
This struggle has even won a partial victory: Only in its wake did the High 
Court of Justice order the dismantling of the wall and its relocation to a 
different place. Even the High Court, which usually automatically accepts the 
positions of the security establishment, understood that a crime was being 
committed here. Together with Bil'in and, to a large extent, inspired by it, 
more villages began to conduct a determined popular struggle every Friday - 
which continues to this day - against the wall, half an hour's drive from our 
homes. 

This documentary proves that, for the locals, the reality of the occupation is 
that there is no such thing as nonviolent struggle. For the information of 
those who preach nonviolence (from the Palestinians ): The Israel Defense 
Forces soldiers and the Border Police will ensure that it becomes violent. Just 
one thrown stone, despite the pleas of the demonstration organizers, will 
suffice; just one verbal altercation will also suffice to open the most 
advanced weapons arsenal in the world - to pull the pin, to release the gas, 
the rubber bullet and the skunk gas, and sometimes the live fire, and to cut 
off the impossible dream of a nonviolent struggle. 
Anyone who watches this film understands that it is very difficult to face the 
wall, the settlement project and the soldiers - all of which scream "violence" 
- and remain nonviolent. Nearly impossible. 
Five times Burnat's cameras were destroyed. Three times by the soldiers, once 
in a traffic accident opposite the separation wall, and once by the 
ultra-Orthodox and violent settlers - the "hilltop youth," who break into homes 
even when the court prohibits this. "You are not allowed to be here," says an 
ultra-Orthodox settler to a villager trying to get to his stolen land. 
The truth is that Burnat's cameras were damaged many more times; the film 
depicts only those incidents in which the equipment was rendered totally 
unusable. The cameras' ruined parts are displayed as evidence. 
But something much deeper has been broken here. A reality has been broken by 
broken cameras. These cameras documented a reality unfamiliar to most Israelis. 
They documented a slice of life, about which most Israelis prefer to be 
oblivious. In so doing, they have also proved that, in a place where hardly any 
courageous journalism remains, there are at least courageous and impressive 
documentaries. In a place where hardly any journalists remain, there are 
important documentary filmmakers like Burnat and Davidi. 
After the vast majority of the local media decided not to report on the 
occupation any more, films like "5 Broken Cameras," Ra'anan Alexandrowicz's 
"The Law in These Parts," and Mir Laufer and Erez Laufer's "One Day After 
Peace" - all the harvest of just the past few months - are filling the role 
intended for the media, and excellently. 
Anyone who some day wants to learn what was happening here during these cursed 
decades will hardly find what he is looking for in the newspaper and television 
archives. He will find it in the documentary movie archive, which is rescuing 
Israel's honor. 
"5 Broken Cameras" has already been shown in many countries, at festivals and 
commercial screenings. Davidi and Burnat documented the routine of the 
occupation. The IDF and Border Police come out looking bad. Even understatement 
and restraint cannot but describe them except as storm troopers. 
Burnat's voice, which accompanies the film, is one of the most restrained 
voices you have heard concerning the occupation, without rabble-rousing and 
without hatred. This is how they look in reality. Go see this film and form 
your own impressions. 
There have been other films about Bil'in and while this one is relatively small 
scale, it is extremely personal. Burnat's wife, who wants to keep him away from 
the camera and danger, and his young son, who has grown up in this reality, 
star in it along with the leaders of the struggle. There is only one person 
killed here: Bassem Abu-Rahma, a charming young man, loved by the children, who 
called him the Elephant - the needless victim of an alleged murder by a soldier 
in April 2009. 
However, it is the non-deadly routine depicted in the movie that is so 
appalling. The camera breakers in it are breakers of the rule of law and of 
democracy. Prime Minister Benjamin Netanyahu, who has boasted to the world 
about how enlightened Israel is, apparently has not seen this film. Otherwise, 
he would not be able to talk about enlightenment. 

Anyone who behaves this way in his dark backyard cannot boast about what 
happens in his enlightened show window, with all that high tech and democracy. 
Anyone who knows what is happening in Bil'in and the other villages understands 
that a state that behaves in this way cannot be considered democratic or 
enlightened. Someone has to make Netanyahu watch this film, just so he will 
understand. . 
This week I drove to Bil'in with one of the two directors, Guy Davidi (Burnat 
was away on another trip overseas ). Davidi once lived in the village for 
several months, but prior to our trip hadn't visited for over a year. 
Ostensibly, nothing had changed. A Palestinian village drowsing in the 
afternoon. However, one thing was different: A large hill planted with olive 
trees has been liberated. In the place where the security fence had been, there 
is now only a dirt track. The barrier was removed and the hill was returned to 
its owners. The olive trees are dying after years of neglect, and the soil is 
scarred by all the earthworks carried out there. But still, some of the 
territory has been liberated. 
The security fence has been replaced by a high concrete wall, but this has been 
moved several hundred meters to the west. Behind it, cranes continue to build 
Kiryat Sefer (aka Dvir ). In the liberated territory, they are already building 
a tiny playground for the village children. Only remnants of the burned tires 
and dozens of IDF gas-canister shells lying on the ground from the ongoing 
weekly demonstrations here testify that the struggle has not ended. It has not 
been completely successful. But if there were any justice, it would have been.
 
http://www.haaretz.com/weekend/twilight-zone/the-documentary-that-should-make-every-decent-israeli-ashamed.premium-1.468409

[Non-text portions of this message have been removed]



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