Margaret Hamer's Lace. Part 1 - longish

Brief Summary for those who missed my original posting.
Last week I told you how Pauline and I were to choose a share of the lace
left by the late
Margeret Hamer, sister of Kathleen Waller. When we visited Kathleen she
brought out box
after box of lace, embroidered net, filet, crochet, Carrickmacross etc.
which we went through
quickly, but there was far too much to make any decisions there and then. I
hid the file-boxes
under the table in my workroom, and there they stayed unopened until after
my holiday. When
we opened them last week, Pauline and I had a wonderful day and did not
disagree about
anything and had only what was of interest to us personally.

I propose to take items one or two at a time, and tell you about them so
that you can share in
my pleasure, for Margaret was such a lovely lady and I owe her memory a deep
debt of
gratitude in many, many ways. She was an inspiration to so many lacemakers,
she will never be forgotten.

The black A4 size file-box is now in front of me. The first items lying on
top are two bonnets.
I did wash these very carefully as they looked rather sad and crushed when
first taken out.
The one is a baby-bonnet in a fine cotton lawn decorated with whitework
embroidery in
padded satin-stitch and minute eyelet holes.  The date is mid 19th century.
The tiny bonnet
crown, a circle 2 inches (5 centimetres) in diameter, is surrounded with the
traditional
scalloped border, edged with fine buttonhole stitchery.  Little dots of
raised satin-stitch cover
the ground fabric which is gathered into the crown at the back and has tucks
at the front.
Adjustment strings are threaded through these tucks and the front join.

There are three layers of lace frills at the front, one continuing round the
back. The lace is a
fine example of East Midlands lace, Bucks point style, 1 inch (2.5cm) in
width.  Any baby would look pretty in this!

At first I thought the second one was a baby bonnet, but it is far more
likely to be a Boudoir cap
of the 1920's.  The net fabric of the crown and deep surround is embroidered
by Schiffli
machine with a little flower-sprig pattern.  A single band of torchon lace
is sewn round the
outer edge, which is not gathered.  It is a delicate lace with diamonds
formed of groups of
four spiders separated by a mirror-rpeat of double triangles.  I am sure the
lady looked very
pretty too.

More to come.

Angela Thompson
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