In a message dated 7/7/03 11:27:35 AM Eastern Daylight Time, 
[EMAIL PROTECTED] writes:

<< Hi Jane
 I live very close to Windsor and have often been to the services at St 
 Georges Chapel - it is particularly nice in the summer when they have the 
 visiting choirs - it's so nice just to drive over go to the Chapel and then 
 afterwards to go for a walk along the river.
  >>
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Dear Lacemakers, 

I have previously written privately to Jane about the embroideries in 
Salisbury Cathedral.  Now, the posting (above) reminded me of something I thought you 
all would find quite revealing, since it involves needlework in a privileged 
collection:

The late Beryl Dean (MBE for services to embroidery for the church) pioneer 
and leading British authority on modern church needlework and embroidery, was 
commissioned to design and oversee the "production" of five large panels of 
(20th C.) embroideries for St. George's Chapel, Windsor Castle.  They are very 
famous in embroidery circles, and appear in a number of books.  In libraries, 
you can find books by Dean, and they are helpful to anyone designing textiles 
(even lace) for church use.  Some of the books contain patterns for garments and 
other textiles used in religious ceremonies.  

The first time I viewed these five embroideries, about 20 years ago, they 
were hung in an area to the front left of the chapel, in an area behind what I 
think was wrought iron grillwork, with a locked gate.  We were allowed to enter 
for a closer look.  The embroiderers on this particular tour whispered in the 
presence of such original and skilled work.  It was possible to get nose-close 
to them and examine the extremely varied techniques and varieties of threads 
and appliqued materials.  

Four years ago, a TV crew was working in the chapel when our group of mostly  
Episcopalian altar guild ladies (plus yours truly) went to see them.  This 
time, they were stacked hap-hazardly behind piles of dusty furniture, and 
lighting equipment from the TV crew.  Disgraceful.  

We were told Beryl Dean designed the panels for a specific place in the 
Chapel, and they have never been hung there.  One wonders - if the windows (created 
by men) were portable, would they be treated in the same manner?

Recalling this reminded me of the way so many Arachnes were shocked by the 
display of Queen Victoria's wedding gown and phony laceless "veil" at Kensington 
Palace a couple years ago!

Jane, I would appreciate a private message when you return, telling about the 
present "living conditions" of the five panels.

Jeri Ames in Maine USA
Lace and Embroidery Resource Center
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