>>>From: Katja Gamby [mailto:[EMAIL PROTECTED]
The parchment is for use on the pillow, and the paper copy is the new
master. The reasoning is that however carefully you try, you are bound to
enlarge the holes of the master copy; next time you use it, it will be more
difficult to prick correctly from it. If you make a new master each time,
the pattern won't need to be trued up too often.<<<

Yes, but this passes on every mistake, where you were a little off on a
hole.  The next time you prick from the copy, all the "off" pinholes will be
copied, and new "off" pinholes will be added.  The errors accumulate as you
make each new "master", creating the formless lumps you see in some of the
old lace traditions.  Flanders is what come to my mind--where the surviving
pieces of old laces have flowers and such, the modern designs *based* on
traditional patterns have slugs and blobs.

For that matter, photocopies aren't 100% accurate, either.  A photocopy is
usually a couple of percent smaller than the original, and one direction
more than the other (e.g., top-to-bottom vs. side-to-side).  Many people
have had trouble matching pieces when they photocopied a pattern, part of it
turned "portrait" and part of it turned "landscape" on the photocopier.  And
if that's then photocopied, distortion is added to the distortion.

Whenever you have a copy of a copy of a copy.... there's a problem with
increasingly greater inaccuracy.  By always keeping the same master and
photocopying it (not copying the copy), you can at least just keep the
single layer of distortion.  Another reason (purely selfish!) for buying the
book instead of photocopying a friend's copy of a pattern.

That's why we have to true up traditional patterns.  That's why I love
having a computer lace program.

Robin P.
[EMAIL PROTECTED]
Pittsburgh, Pennsylvania, USA
http://www.pittsburghlace.8m.com 
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