Hi Eva -

> Does one have to master a certain kind of lace before
beeing allowed to
> start with another?
> There was the question of "Paris before Binche" some
digests ago.

You are right that there are teachers who have very strong
feelings about what order you should work your lace.  And,
in my experience, most teachers of Binche these days are
Europeans, and they prefer that you have a good foundation
in Flanders ground.  Knowing "kat stitch" or Paris Ground is
also a help.

But the fact is, working a few samples of the grounds in
question in order to be comfortable with how they work is
sufficient for many people.  I began Binche this summer.  I
had worked in Flanders, but without a teacher...  I used
Mary Niven's book, and the book by Rombach-de Kieivid and
taught myself.  Then, again using a book (Michael Giusiana's
first book...) I began working with snowflakes in samples.
By the time I took a class, I was comfortable enough with
the patterns to put things together.

One word of caution:  the advantage of having a teacher as
you learn is that you develop good skills every step of the
way.  When you start off with a book, it's possible to
"miss" the sentence that says, "do it this way", and you
might end up with a habit which is not good, and which is
hard to break.  Your lace might look decent enough that
you - and your teacher - don't realize the problem.  I've
continued to work on my Binche, and in reading other books
have discovered flaws in the way I work.  It's harder to
change a habit than it is to build a good one from the
beginning!

Clay

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