In a message dated 10/20/03 10:01:07 AM Eastern Daylight Time, 
[EMAIL PROTECTED] writes:

<< I find that
 keeping good strong light on my work is the best solution. >>
-------------
Dear Lacemakers,

What is the line of that song?  "Everything old is new again"??   

We have had access in the last few years to books written about lacemakers 
who worked by candlelight reflected through glass globes filled with water.  
These lamps could be positioned to throw light very precisely where it was 
needed.  You can read about this old method in, for one, "Bobbins of Belgium" by 
Charlotte Kellogg.  Tess and the Professor have scanned my copy of this book, and 
it is available at his site or on the CD.

By the way, if you have observed lace being worn in a candlelit room or 
chapel, you have seen it as it was most likely to have been viewed when first 
developed.  This type of lighting enhanced the texture.  It is very lovely in such 
a setting, compared to a public ballroom with various types of bright electric 
lights.

Jeri Ames in Maine USA
Lace and Embroidery Resource Center

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