Hi Amanda!

I'm sending Giusiana's Study Guide to you in a private
email, for your "future reference"!

> This would be the "Step by Step Guide"?  [re: Niven]

Yes.  I have the original book, which is "Flanders Lace: A
Step by Step Guide".

> Just out of curiosity, is the need for a teacher because
the
> syllabus lacks all the details (doesn't have complete
diagrams,
> etc) or because of intangibles like a need for correct
tension?
> I've never had a teacher so I don't know if I'm missing
out on
> the latter category by doing things my own way.

Actually, the "need" for a teacher is that in the Syllabus
Binche series (by Verbeke-Billiet) it is assumed that you
have some fundamental knowledge of Continental "SOPs"
(standard operating procedures...), as well as some of the
very helpful tricks of the trade which are (in my limited
experience) found only in certain situations in Continental
laces.  Vera Cockuyt has a self-published booklet called
"Suggestions How to Improve Binche" which spells some of
these tricks out nicely, but it takes some intuitive
reasoning as well as trial and error to know when to apply
them if you don't have a teacher handy.   If you are a
lacemaker who is comfortable with trial and error whenever
you tackle a new challenge, then you won't be so frustrated
without a teacher.  But if you are easily frustrated and
want to know how to do it right the first time (even if it
isn't pretty!), then you will be happier with a teacher.
That isn't to say you can't do it - but you may be more
frustrated.  And in answer to another part of your
question - Verbeke-Billiet's diagrams are beautiful and
complete.  But knowing the SOPs and special tricks is
assumed.

> > Giusiana's samples are drawn from a comprehensive list
of
> > books which include Verbeke-Billiet's, his own four
books
> > (including one which is out of print), and several
others by
> > Ulrike Lohr, Ermute Wesenburg, and others.
>
> This sounds more complete but also more expensive in the
end :)

Well, in all honesty - yes.  But more expensive than what?
Buying how many books on Torchon lace and then Bucks lace
and then... and then...?  Let's face it... when we take on a
new lace, we spend way more money than we ever "planned" to
in order to "gettum while they're hot"!  I have bought every
book I could lay my hands on in the last five or six  years,
and lots of them are no longer available.  And in all
honesty, I haven't parted with but two or three of them.
But you don't have to buy all the books at the same time.
You can get started quite nicely with Niven's book and
Giusiana's "Binche II: The Old Becomes New".  (Ironically,
Binche II takes you through your paces more thoroughly than
his earlier   "Binche Handkerchiefs". )  If you find, after
working through Niven's book, that you're doing well, then
invest in "Binche II" and continue your studies.   That's
part of the value of this study guide...  you don't have to
own the whole library in order to get some benefit from your
studies, and you can add to your library as your grow.

I hope you decide to take the plunge, and I hope you enjoy
Continental laces (especially Binche) as much as I do !

Clay





----- Original Message ----- 
From: "Amanda Babcock Furrow" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, September 01, 2004 4:19 PM
Subject: Re: [lace] One Designer's Input on Her Copyrights


> On Tue, Aug 31, 2004 at 06:21:51PM -0400, Clay Blackwell
wrote:
>
> > Hi Amanda !
>
> Hi!  Thanks for your reply!
>
> > Mary Niven's book (republished last year) is an
excellent
> > resource for that [Flanders].
>
> This would be the "Step by Step Guide"?
>
> > Moving into Binche, one readily
> > available (from lace vendors) option is the series of
> > "Syllabus Binche" from Anne-Marie Verbeke-Billiet (there
are
> > three in the series).  However, this is best used if you
> > have a teacher at hand who can help you with each step
of
> > the way.
>
> Just out of curiosity, is the need for a teacher because
the
> syllabus lacks all the details (doesn't have complete
diagrams,
> etc) or because of intangibles like a need for correct
tension?
> I've never had a teacher so I don't know if I'm missing
out on
> the latter category by doing things my own way.  So far
I've
> stuck to books with good diagrams, except for the Russian
Lace
> which I'm just having fun with.
>
> > Another option is the Binche Study Guide prepared by
Michael
> > Giusiana, which gives the student a specific list of
samples
> > which should be worked as one progresses through the
levels.
>
> Tell me more :)  Is this in print or electrons?
>
> > Giusiana's samples are drawn from a comprehensive list
of
> > books which include Verbeke-Billiet's, his own four
books
> > (including one which is out of print), and several
others by
> > Ulrike Lohr, Ermute Wesenburg, and others.
>
> This sounds more complete but also more expensive in the
end :)
>
> > Michael's Study Guide is something he is happy for us to
> > share with each other!  He has sent it to anyone who
wants
> > it, and has given us permission to send it on to our
> > friends.
>
> I would definitely be interested in this whether it be in
email
> or on paper.  I'm not ready to dive in just yet, but it
would
> be nice to have something to look at while I dream.
>
> Thanks,
> Amanda
>
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