Helene from Melbourne stated on Dec. 16th that  “Rich people and
“cultivated”
 people need to be educated about modern lace, and  I have answered the call!

The Living Billboard Campaign for Modern Lace continued on Dec.  26th when I
donned my all black attire and fastened on Lenka’s  scallop pendant. My
first
appearance was at Le Monde (Cuisine of the  Loire Valley) where my family and
I stopped for lunch with  what appeared to be a largely French clientele,
before going to a tour of  St. John the  Divine. The Cathedral of St. John the
Divine,  which has been undergoing construction for over a hundred years and
is
two/thirds finished, has always set a standard for employing contemporary and
American artists. For one thing they commissioned the Oneida of the Sybil
Carter  Missions to make a lace altar set. For another, there is a modern
altar
piece by  Keith Haring which he made in Yoko Ono’s apartment while he was
dying
of AIDS.  Unfortunately, I did not receive any real notice, nor regrettably,
any  ecclesiastical commissions for Lenka.
On December the 29th I wore the Lambiris “Indian Dog” piece to  a café on
Bleecker  St, adorned with modern art and had myself pictured  with a modern
art
wall fountain. Later I strolled the streets around the  galleries of
Greenwich Village flaunting the  pendant. Although there were no direct
requests for
information, I am assuming  there was a large effect on the subliminal level.
Then we cabbed it on over to  the FiberArts International 2004 at the Museum
of
Art and Design. The entries, although  impressive in their own way, were
totally lacking in modern lace. It was an  outrage! Can’t we do something
about
this?
I walked across the street to the Museum of Modern  Art to exhibit myself to
the unconscionably long  line of would-be museum goers. However, it did not
seem that it was wise to join  the line that late in the day. Later we
strolled
the avenues around Rockefeller Center, stopping in Fendi where my  daughter
tried on a $12,000 fur coat causing near heart failure in her father.  While
at
Fendi, I sensed that the resistance of the Jet Set to modern lace was  being
worn down, although there was no obvious manifestation of this. We then  went
to Symphony Space, where despite my uttering loud remarks to my companions
about modern lace, the lady in the seat next to me refused to take the bait
and
pretended not to notice “Indian Dog”.
The following day, I wore Lenka’s work again. I was standing at the
information desk of the Metropolitan Museum of Art waiting for friends when I
noticed
a woman, dressed entirely in black with a single silver pin, eying my
pendant. I engaged her and allowed her to admire it, giving an impromptu
speech
about the wonders of modern lace and writing down for her Lenka’s web
address.
During a pre-theatre dinner at Centolire, a posh eatery near the museum, I
demanded to be seated in the window, but due to the fact that it was still too
early for the main dinner crowd did not have an opportunity to lecture anyone
about modern lace. However, the sight of my husband photographing us led the
waiter to ask, “Where are you folks from?” indicating that he was assuming
we
 were tourists documenting our trip rather than people on a serious mission
to  popularize modern lace. Later, we attended La Cage au Folles, but received
no  inquiries. My friend Sarah opined that another theatre goer who was
wearing a  green rhinestone baseball cap had stolen my thunder.
Yesterday, I had a dental appointment in New York. A rare dental problem has
put me in  the position of having to go to a very expensive Madison Avenue
dentist.  I recalled that on a previous appointment  I had overheard another
woman in the waiting room talking about having her five  fur coats cleaned. So
I
wore Lenka’s pendant to the dentist, hoping to spark  some interest. I was
especially hoping the dentist, who I know to be a rich man  with a taste for
fine
wines, would notice it. I had failed to reckon with the  fact that a paper bib
would be draped over the pendant during the treatment. (I  should have worn
the Lambiris piece.) However, while I was dealing with the  dentist’s
insurance
specialist, she noticed and admired the piece and I was able  to scribble
Lenka’s website on her notepad before she could stop me.
I rushed back to New  Jersey and was delivering a request for interlibrary
loan to the Livingston Library in my Campaign attire. The librarian who has
been  a strong and active ally in my lace book borrowing was very impressed
with
the  pendant, so I got in another plug for modern lace. She expressed
confidence that  the campaign would be successful.
Many thanks to Susan Lambiris has been kind enough to assist me in  posting
my photo journal of the campaign on the community webshots:
http://community.webshots.com/user/arachne2003-date>
Devon
who welcomes gifts of  modern lace to be exhibited and offers of sponsorship

-
To unsubscribe send email to [EMAIL PROTECTED] containing the line:
unsubscribe lace [EMAIL PROTECTED] For help, write to
[EMAIL PROTECTED]

Reply via email to