I sent kids off to school and never finished my note about the porcelain lace that Tamara mentioned.

Before I learned bobbin lace, I learned pottery. It's just as addicting but not as portable. The two overlapped for a while, but when I met my DH, something had to give way and it was the pottery. When I returned to working with clay, I tried to make lace in it but there were obstacles. Clay dries fast, cracks and/or breaks when it is pushed too far, and it's very fragile before it's fired.

The clay I'm using is porcelain with organic fibers added to increase its strength. The coils are about the thickness of a pencil, and I've found that since I can't use bobbins, I have to limit the lengths I work with so they stay manageable. The weaving time itself is fairly short, but the time spent drafting patterns and cleaning up the dings and fingerprints is considerable.

I'm probably pushing the lace definition a lot to even call this lace. It's a new medium for lace, and it presents a new and possibly educational way of looking at lace. It's a lot easier to see where the threads go when the imaginary pins are 2 inches apart! The pieces I've made so far represent the elements of a pattern- a single Flemish ground block, a spider, a Rose ground block. This is really breaking the patterns down to their basics. The sizes are limited to the restrictions of the kiln space, so I can't make any pieces larger than 18" across but I want to try sections that can be assembled into larger works. And definitely something in 3D!

So far though, only a couple pieces have survived the firing, so there are changes to be made in that area. Specifically, I need to make some clay trays that the work can be placed on and stay on throughout the entire weaving and firing process. So it'll be a couple weeks before I make anymore weavings. I have put a couple pictures on webshots of two of the pieces. These are before the firing.


http://community.webshots.com/user/CherryJene


Cherry Knobloch
Chesapeake, Virginia
USA

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