VERY well put, Ilske!  As you are definitely designing, and your work is quite 
attractive, I think you are a perfect person to respond to the question.  Thank 
you!

Clay

--
Clay Blackwell 
Lynchburg, VA USA 


-------------- Original message -------------- 
From: Ilske Thomsen <[EMAIL PROTECTED]> 

> It is a good question. I don't think I am the people which can decide 
> what's modern or not but I try to write down my thoughts about this 
> subject. I am afraid I can't explain it well enough in English, but I 
> do my very best. 
> Working the traditional bobbin lace techniques today is necessairy to 
> learn them but even we make today design patterns it is the "old 
> thing". For not being misunderstood I tell you I liked to do nearly all 
> traditional techniques. I remark after a while that I prefere the fine 
> ones, like Point Ground laces or Binche more then the others. I like 
> Torchon because of its variety and it's clear look. But since along 
> time I had a feeling there must be more than that and what I do are 
> replicas from former time. So I keep my eyes open for classes where I 
> could perhaps learning how to design laces. The next step was that in 
> one yearly meeting we had always a theme for next years meeting. So I 
> tried to make something of my one showing this theme like my 
> Harz-picture. Than I saw collars from Jana Novak and I liked some of 
> them than the time for the white brave little collar was over. So I had 
> a new subject. The next was unusual corners for handkerchiefs and 
> meanwhile I make things I can't wear they are more as decoration in a 
> room or so. And I used unusual materials, not only wire. And in my 
> opion these are the "laces" which show our time that's why I name them 
> contemporary. But i didn't think enough what's better contemporary or 
> modern. 
> I like this sort of lacemaking and I have so many ideas and so less 
> time but nevertheless there are patterns in traditional lace I will 
> work also. 
> 
> Ilske 

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