I feel it incumbent on me to mention that the Metropolitan Museum of  Art is 
holding a Tapestry Show, Tapestry in the Baroque: Threads of  Splendor, on 
until Jan. 6, 2007. There are about 45 Tapestries, from all over  the world, 
only 
two from our collection. It is a spectacular exhibit. Several of  the pieces 
have never left their homes before.
 
It is extremely rare for a museum to have the wall space, man power and  
persuasive ability that it takes to mount such a beautiful show and it is  
unlikely that we will see many such in our life times. You can visit the 
website  
_www.metmuseum.org_ (http://www.metmuseum.org)  to find out more about  it and 
even see quite a few images.
 
Vis a vis lace content in this message. The exhibit is interesting from a  
lace standpoint for two reasons. Some of the characters so meticulously woven  
are wearing lace, rendered in tapestry technique. Particularly delightful is 
one  tapestry depicting Louis XIV and his court where everyone is decked out in 
lace  and ribbons. But on a deeper level, the relation to lace is that the 
theme of  this show is pretty much about how after the sack of Antwerp and the 
arrival of  the Duke of Alba, the fine tapestry weavers of Flanders scattered 
all over  Europe setting up tapestry workshops in other foreign seats where 
there were  wealthy royal patrons. An example is the Gobelins tapestry workshop 
in 
France.  The story of the movement of the Flemish craftworkers in the face of 
religious  persecution and civil unrest is related to the movement of the 
Flemish  lacemakers around Europe. In fact, Louis XIV imported, very secretly, 
due to  possible repercussions against their relatives, Flemish tapestry 
weavers 
to  start the Gobelins tapestry works under the same Colbert backed 
initiative that  also brought lacemakers to France for the French lacemaking 
industries. 
 
I think anyone interested in fiber would find this a stunning show.
Devon



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