Dear Brian,
 
Earlier this year, I bought a lace lamp at auction here in  Maine.  I think 
I wrote about this on Arachne, in a letter about all the  lace things I'd 
been able to do here in 2010.  
 
Mine is European-style.  In other words, a large globe-shaped  carafe that 
was filled with water.  A candle was set behind the  water-filled carafe to 
reflect light through the water.  Fortunately,  I have an old brass 
candlestick from my 19th C. grand aunt, which goes well with  it.
 
There is a very similar lamp in Gertrude Whiting's "Old-Time Tools &  Toys 
of Needlework" on page 254 of the reprint by Dover about 1971.   Original 
book was published by Columbia University Press in 1928 under title  "Tools 
and Toys of Stitchery".   When I bought my lamp, I thought the  curved circle 
that looks like a round crack on one side was an error of the  glass 
blower's.  But, it is clearly shown in the picture in Whiting's  book captioned 
"19th C. Calvados lacemaker".  The circle is on the far  side, facing a candle. 
 The glass inside the circle is clearer than the  rest of the carafe, which 
I can only describe today as being slightly frosted  glass (perhaps to 
lower glare).  All is placed on a table,  with  carafe about 10" higher than 
lace pillow.  The lacemaker is sitting in a  straight chair facing lamp, with 
her bolster lace pillow on her lap.
 
This book also has a picture of a lacemaker's lamp from the neighborhood of 
 Valangin, Switzerland.  However, the author refers to this as a  
"picturesque English outfit".  It is a small, low, 3-legged round table, in  
the 
middle of which are holes in which pegs can be inserted.  Attached  to the top 
of 4 pegs are small glass globes that held tinted  (blue) water.  A center 
peg held either a candle or small container of  oil (for wick to produce 
flame).  This whole lighting  device sat on a larger elevated table, and 
lacemakers sat in several  circles around it (the ones in back row benefiting 
less 
from the light).
 
The book also describes Belgian lighting as being a glass carafe,  filled 
with bluish snow water, with a kerosene lamp placed beside it, that could  be 
for 3 to 4 lacemakers.
 
In OIDFA Bulletin number 2, 2010, on page 29, there is a painting of a  
lacemaker that someone has asked for information about.  It is dated 1830  on 
back, but not signed.  On the windowsill is a large glass carafe, and  when I 
first saw this, I thought it might be for producing light for the  
lacemaker.  It is not set up the way it would have been used.
 
As we see more and more questions about lacemaking tools, I think it  may 
be a good idea to recommend those interested in tools of our trade to  add a 
couple books on the subject to their lace libraries.  Quite a  few times, 
I've given answers from the 15 books on needlework tools in my  library.  I 
would suggest starting with David Springett's book and the one  I've used here 
to write about lamps.  If you can invest a large sum, the  German hardback 
book "Kloppel-Kissen-Stander", several authors, Hrsg.  Deutscher 
Kloppelverband e.V., ISBN 3-934210-32-5, 2002 is highly  recommended.  A 
English 
language supplement is available.  _www.deutscher-kloeppelverband.de_ 
(http://www.deutscher-kloeppelverband.de)     Select Bucher & Co. on left, then 
Kataloge.  Last books listed are this  one at 29 euros and English translation 
at 16 
euros.  So, if you cannot  locate in your country, this is a possible 
supplier!
 
Jeri Ames in  Maine USA
Lace and Embroidery Resource Center  

Following message has been shortened:
 
In a message dated 12/6/2010 1:35:23 A.M. Eastern Standard Time,  
[email protected] writes:

Some of  you will have read my paper on these lamps that I wrote few years 
ago in  consultation with  a group known something like the  "Oil lamp  
Collectors Society".

There is not doubt in my mind that the name  "lace makers lamp" is a fully 
authentic "Antique Dealers" and common name  for such lamps, which are so 
pretty and collectable.  However I can  find no direct evidence that they 
were used by lace makers.

Some  examples of lace makers lighting can be seen in Diana Smiths new book 
on  East Midland Lace Makers in Photographs (she seems to be selling it 
only  
on eBay)   Mrs. Bettsy Fairey has a nice one, and William Linger  seems to 
be 
well set up. (It is not too clear what I see in that  picture)


>From Brian and Jean
Cooranbong.  Australia  

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