Dear Lacemakers, 
 
This will be just a general overview.
 
Beads of various types have been used to "protect" for many  centuries.  
Some have old tales attached to them.  Subject is well  covered in bead books.
 
>From "The Shining Cloth" by Victoria Z. Rivers --- "Paleolithic Western  
Asia may have been the point of origin connecting beads, eyes, and protective  
magic, for the earliest reference to the evil eye came from Sumerian clay  
tablets of the 3rd millennium BC."
 
When I list the types of books in my library, it includes "related  
subjects".  That includes beads, which seem to have had a much higher  survival 
rate than textiles.  And then, there are books about Goddess  embroideries, and 
the symbolic meanings of them.  Also, what has been  exhumed from ancient 
burial sites in various parts of the world.
 
Some books tell of the meanings of embroideries, such as symbols for  
snakes, stitched around all openings of womens' clothing:  neck, sleeves,  
bottom 
hem -- to protect.  
 
During the 20th C. when various eastern European nations suffered so much  
cultural destruction, books began to come out that would describe patterns 
as  "traditional (name of nation) embroidery".  The truth is that the  
origins and meanings of the individual symbols are known.
 
When you see a traditional middle eastern rug or embroidery or  tapestry 
with what looks like symbols, know that those designs are ancient and  did/do 
have meanings.  
 
When you use such design elements for inspiration when designing lace (per  
recent correspondence) they are called adaptations.
 
Off the top of my head, I am reminded of some embroidery and lace -- very  
similar designs -- in  older "ethnic" books.  Lace is attached to  an 
embroidered cloth that you can see was deliberately designed to go  together.  
If 
the embroidery design told a story, so does the lace.  
 
All this, because of discussions about spangling beads for bobbins!   It is 
complex, but magical. Unlikely to be found in most lace libraries, but  
definitely better for some of us to know about than not.
 
I hope you appreciate all the creative people who have left evidence  of 
their heritage to us, whether you agree or not with their beliefs.
 
Jeri Ames in  Maine USA
Lace and Embroidery Resource Center
(It is one degree above zero fahrenheit as this note is being written in  
snow-covered Maine.)

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