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Phew, I can't believe that someone would actually consider paying that much
for a tamboured veil. I would really doubt that it was all hand made.
According to Heather Toomer in her very good book "Antique Lace: Identifying
Types and Techniques" machine tambouring on machine net was well established
by 1810. The early pieces didn't have overly even stitches because of the
feed mechanism of the machines. But, by the late nineteenth century with the
introduction of multi-needle machines it became almost impossible to
distinguish machine from hand-made.
BTW, I would highly recommend this book as well as Elizabeth Kurella's book
"Guide to Lace and Linens" with it's wonderful close-up pictures of the
various grounds. They have been invaluable to me lately with this enormous
lace collection I've been asked to evaluate. Those, and a 20x plus
magnifier has enabled me to do a competent identification (I think) of the
hundreds of pieces of lace. I'm almost finished now and, while it's been
lots of fun (especially seeing types that one would usually only see in
books) I'll be glad to have my spare room back :)
With Chantilly lace, one good way to determine whether it is hand made or
machine is by the half stitch (which has a definite "grain" in machined) and
the gimp. The gimp was woven in by hand in early machine Chantilly and
wasn't through every hole. Another point,the dye is wicked stuff. I've
found that all the black Chantilly I've identified so far is shedding huge
amounts of small (silk) fibres that, when damp (don't ask .. my iron leaked)
runs in a most impressive manner.
Please keep in mind that just because a lace might have been machine made
at that time it was still only the wealthy who could afford it and it had
the added novelty of being produced by the latest technology. Sharon, on
Vancouver Island
- [lace] tamboured veil & Chantilly fan Rick and Sharon Whiteley
- Re: [lace] tamboured veil & Chantilly fa... The Lace Bee
