http://collections.vam.ac.uk/item/O63950/prayer-shawl-ornaments/

>From what I know of it, this looks more like a female headcovering (compared 
>to 
a kippah/yarmulke worn by a man.)
Women would wear various hair coverings from snoods to lace hankies folded and 
pinned on their heads (and many others in between).  Perhaps there has been a 
misinterpretation of terminology and perhaps in using the word tallit, which is 
generally an elongated "stole" with regimented specifics to qualify, but many 
variations in creativity beyond those guidelines (and linen and wool are 
forbidden to be used together.)

Yes, speaking of German references, Jews were forced to be nomadic, and there 
are the northern Ashkenazi and southern Sephardic and their rules from food to 
religious wear, etc. varied.  They are often buried in different parts or 
separated, as are Orthodox, Conservative and Reform Jews often not buried 
together, but those rules also change.  So, they picked up cooking, needlework, 
and various customs of the countries they traversed to and lived in, often 
being 
forced to move on, and Yiddish is a German based language of Jews.

Though I know nothing of Spanier Albeit, we are back to origination and here 
especially how to create it.  Many of the original "needlework" forms 
originated 
in the Middle East region, as that is an ancient culture, and access to other 
areas from China, to Mediterranean empires was fairly accessible.  It reminds 
me 
of the discussion of where knitting originated and how old it is.  Yes, some of 
the effect of Spanier Albeit even reminds me of Russian needlework, mostly of 
the Czars, royalty, etc., but I am only speaking visually here, as I don't have 
my books in front of me.  Sadly there isn't much via the internet about this 
particular technique.

My challenge is the misuse of terms (1st paragraph), technique and origination. 
 
Avital can give more thorough details on Jewish culture, history and kashrut 
(law.)

FWIW,
Susan Reishus    

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