I have seen thicker white threads, and thicker black threads (and including
yarn).  Often one notices black having minimally a different "hand" because of
the heavy saturation of the mordants.  Another point to consider, is that
often black requires more steps to not only saturate with color/dye, but more
to remove excess so it doesn't bleed or crock.  The washing/rinsing process
tends to wear down the fibers.  Whites on the other hand, tend to get soaked,
which plumps up the fibers, but depending upon the process and chemicals
involved, can also have the reverse effect.

Since I think yarn might have
provided slightly more experience in my life than thread (close though), I
have noticed that black yarns tend to be thinner, and it appears that the
mordants tend to change the personality of the yarn as it is limper (which can
also make it seem thinner) but when actually doing wpi, it may come out the
same as white as elasticity is lost, but the core of the "substantive" fiber,
remains (or from another view, "halo" is lost in processing).

No doubt, fiber
content, chemicals used, and the process itself, much less twist, sheen, etc.,
are all factors.  


I do agree that with really fine threads especially,
optical illusion can be an astounding factor.  If you take a few online color
tests, one can really be surprised at what the eye really sees (or doesn't),
and how much the mind's interpretation factors into it.


Best,
Susan Reishus

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