Dear Bev et al,
Thanks for your response.  I mean the pairs leaving a cloth stitch motif.
I don't know what Barbara Corbet calls it, I looked through the
instructions briefly and went on to the colored charts, which doesn't use
words.  Bad on names at the best of times. I must admit, I like the pin
between the two pairs very much as a pin seems to me much more reliable
than a plait.  I can always be wrong, and I suspect this is largely a
matter of preference, and who taught you in which lace.  I believe
throwing out pairs is more a Withof/Honiton sort of thing.  Flanders is
far too oriented toward a laundry to permit anything like that.  My
handkerchief and I will have a lengthy time with lassen once it's
done,not only in attaching the beginning to the end, but also securely
anchoring all the gimp, even those silly little 1/8 inch diameter
circles,  as I intend to use it and wash it.  I like to use my lace. 
Wear it, hang it up as a curtain, set it on a tea table, even cover a
milk pitcher with it.  Use it as a label.  I am not drawn by nature to
lace that gets put in a frame.

Lyn in Lancaster, Pennsylvania, USA, where it's too windy to spray weeds.

  -----Original Message-----
  From: bev walker
  Sent: May 10, 2012 12:31 PM
  To: Lyn Bailey
  Cc: [email protected]
  Subject: Re: [lace] tensioning Flanders

  Hello Lyn and everyone

  I think you've made a good start on the list of rules or tendencies
  ;)

  I would say 'almost always' two pair between pins at the ring pair
  business around a motif - as soon as one says 'always' up pops an
  exception.
  I soon learned this one by experience: "Count your pairs carefully,
  you'll find mistakes sooner" and/or prevent them!

  When you say decreases, you do mean as pairs leave a motif (e.g. as
  the motif narrows) to enter the ground? But not throwing out of
  pairs.
  Is that the term Barbara uses? I think of the narrowing as taking the
  two passive pairs nearest the inside border pair of the motif, pinch
  these pairs in CTC and first work the one that is outgoing, then move
  the new weaver across the row to its destination. Then tension both
  pairs in their new positions.

  On Thu, May 10, 2012 at 5:29 AM, Lyn Bailey <[email protected]></sp
  an> wrote:

    there.  The only criticism I have of the book is that I think
    there needs to
    be a set of written rules for Flanders, like virtually always 2
    pair between
    pins, count your pairs carefully, you'll find mistakes sooner.
     Lift the left
    over gimp, that sort of thing.  Flanders is such a regulated
    lace, so
    sensible, when you need a pin, you find the hole for it right
    there to pull
    against. Except for decreases.  Learning rules is ultimately a
    good thing for
    lace, and I think a page of such rules would go a long way to
    help lacemakers
    who carry on without teachers.  But I don’t know of any books
    offhand that
    have such a thing.

  --
  Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west
  coast of Canada

"My email sends out an automatic  message. Arachne members,
please ignore it. I read your emails."

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