Thank you Jane

 

This is it in a nutshell

 

Jan

Jan M in Brisbane Qld

 

 

Date: Sun, 6 Jan 2013 13:09:06 +0000

From: Jane Partridge <[email protected]>

Subject: [lace] Re: more Honiton - colour dominance

 

The sample lace illustrated in a previous post was Torchon, not Honiton.

 

Tensioning in Honiton is via a completely different method to that used in
other laces - you do not pull on any of the threads, but control the work by
moving the bobbins well from one side of the pillow to the other whilst
working - this evens out the areas of cloth (for which there should be
sufficient passives to ensure a close "evenweave" cloth results in areas of
cloth stitch - leave sparse weaving for the likes of

Bucks!) and reduces the chances of breaking threads by pulling on them at
all. The aim is for even tension on both threads, if the runner dominates,
then it has been pulled too tightly. At the footside edge, you place the pin
before making up the stitch, only tensioning lightly before the next row,
particularly if you worked a back stitch on the previous pin where any
pulling could result in disaster.

 

The hang of the bobbins on the pillow (which should be about 12" 

diameter and look like a flattened football - it has a very slight dome, but
not so much as a cookie pillow) will also control some of the tension. This
is one lace where the choice of tools does affect the results!

 

Colour dominance will also be affected by many other factors - including
ratio of warp to weft and the relative tones of the two (or more) colours
used - a bright red will stand out against a dull green. In weaving, you can
use a neutral colour and wider spacing of the warp and so allow a closely
woven weft to dominate, (in bobbin lace weft threads are runners, warps are
passives) but here you are aiming for an even weave with neither thread
dominating the other.

 

In message <[email protected]>, Beth Marshall
<[email protected]> writes

> 

>So I think it is the tension that makes the difference - there's more 

>of the more loosely tensioned thread to see, as well as it being more 

>on the surface as Robin pointed out

> 

 

 

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Jane Partridge

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