Sue Hottel's question about terminology is interesting.  We have had
discussions about this on NEEDLELACETALK.  There are 2 parts to the problem, I
think.

First part is what names does the general public use when referring to the
work.  Remembering that the general public doesn't understand anything about
lace or embroidery.  If you do a google image search on "reticella" or
"reticello" you get a huge bunch of images.  Some are embroidery (very fancy
drawn thread work, where very little woven fabric remains), and some are
clearly pure needle lace (punto in aria).  So if you want the general public
to look at images you have posted, you have to think of what people without
detailed knowledge are likely to call something.  If you give it a pure and
correct name that the world at large has never heard, your picture will get no
viewers.

The second part, obviously, is about choosing terms for us "experts" to use
when talking to each other.  For myself, I recognize that there is a style of
drawn thread embroidery which has a style very similar to pure needlelaces.
This style is called "reticello" or "reticella" (the latter seems to be an
English language habit).  The embroidered version came first, then pure
needlelace based on a corded outline copied those geometric designs.  So I've
taken to using a qualifier: reticella needlelace, or reticella embroidery.  As
far as I know "punto in aria" always means pure needle lace.  But it doesn't
always mean needle lace in the geometric style of reticella.  The piece that
Witchy Woman gave us a link for has a lace strip hanging down the woman's
chest.  It consists of a wide central area with a purely geometric design.
Then on each side of that central strip are deeply scalloped edgings on the
left and the right.  These latter I would call "punto in aria".  Although they
are regular and consistent, they don't have the rectangular geometric design
of reticello.  I have also seen some narrow needle lace edgings on other
pieces, with tiny figures and geometric forms, and these were also called
"punto in aria".  Bellon has also published a book of her own bobbin lace
designs which she calls Gekloepplete reticello.  So from all this, reticello
seems to refer to a style which can be worked in completely different
techniques.

So I think of it this way:
Embroidered reticello:  drawn thread embroidery with very little woven fabric
remaining
Needle lace reticello: pure needle lace with a severely geometric design
stylistically similar to embroidered reticello.
Punto in aria: pure needlelace in its earliest stages, with designs which are
often geometric, but may include figural bits, usually fairly narrow edgings.
Once the needle lace becomes complex and wide it acquires the name of a
historic style such as Point de France, Coralline, Venetian gros point, etc.

There actually is a 3rd part.  From what I've seen people who enjoy reticello
embroidery also often develop an interest in reticello needle lace, and vice
versa.  In the two forms the skeleton which supports the design is quite
different.  But once the skeleton exists the actual decorative stitches worked
are the same.

Lorelei

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