Sorry, I did not have time to read the whole thread.
Just to mention: In 2002 we had an exhibition in the 'Schlossbergmuseum
Chemnitz' (Saxonia, Germany):
"Schätze des jüdischen Galizien" (Treausres of Jewish Galicia), with
exhibits from L'viv (Ukraine). It was a pleasure to see lots of collars
with Spanier arbeit and a stool where this was worked with. It is now in
the "Jewish Museum of Ethnography and aplied arts" in L'viv.

Gabriele

-----Original Message-----
Date: Mon, 15 Apr 2013 14:58:28 +0200
Subject: Re: Fw: Re: [lace] information about Spanier Arbeit
From: [email protected]
To: [email protected], [email protected]

Lyn writes:

"Devon, are you home, and can you give information on this aspect of
 lace
in New York? "

Ah, Spanier Arbeit, I know it  well. At least I wish I did, because as
Ita
Aber, whom I have known for 40  years, says in her article, the
construction
of it is something of a secret. I  even have the DVD that the Pomegranate
Guild of Judaic Needlework produced about  it, which I highly recommend.
Ita
Aber is the authority on this as far as I am  concerned and her article
sums
up all I know about it, and more. I would say  that not a year goes by
that
someone doesn't inquire about it at the  museum.

Some of it looks like bobbin  lace done in metallic thread. But other
examples I am unable to relate to bobbin  lace. The Jewish Museum in
Prague has
quite a collection, and perhaps some time  spent searching their on-line
collection would be fruitful to those who want to  know what it looks
like.
Unfortunately the name has many alternative spellings  which makes it
hard. The
Jewish Museum in Prague has also published a  catalogue with photos in
it. I
think that the OIDFA conference in Prague was  able to see it, as an
attendee was kind enough to send me the catalogue. I feel  certain that
the Jewish
Museum in New York has some and probably also the  National Museum of
American Jewish History in Philadelphia. There does appear to  be a set
up of the
"gorm" on display at the Israel Museum in Jerusalem which Ita  had filmed
in action. the thread hangs on spools that are suspended from a bar  over
the
work, making it sort of the reverse of a typically lace pillow. I
 imagine
that there is a reason for this relating to the properties of metal
 thread.

It is  difficult to fully understand how it is done,  partially because
those who can do it don't want it to be filmed due  to considerations of
secrets of the trade. Ita clearly would like to see the  craft
perpetuated and to
see contemporary work done in it.

Devon

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