If the copy shows significant origins in the original work it can be considered 
to either be an infringement (as in "but I didn't uses pricking, I just copied 
it from the photograph") or an heir, within copyright as in when we might take 
a pricking and change the ground and other elements but fundamentally it is the 
same pricking.  

Unfortunately, many people believe that there is a 10% rule on copyright (there 
isn't and it is in fact an urban myth). This is where people tell you that if 
you change 10% it's now your design. Complete rubbish and if you went to court 
and said "I was told by people that ...." You'd loose.  A copy is a copy, is a 
copy.  Another myth is that you can copy 10% of a book and be in copyright.  
Copyright actual is 'fair usage' so for a book of prickings it would be fair to 
copy all the prickings and maybe blow up working diagrams.  However, would it 
be fair to copy 10% of an art book and put the pictures in frames rather than  
by prints where money goes to the artist?  But it would be acceptable under 
copyright (but not under care of books) to take the illustrations out of a book 
and frame them.

There are so many prickings out there that I have to do that worrying over Ms 
Channer's mat and its availability is really a lost cause ... I happen to have 
an original copy of Christine 
Springett's bucks point fan which is my Ms Channer's mat but with so many books 
being copied and available to download on the web that are in copyright it is 
still,as I have said before, an important moral as well legal debate because it 
applies to all those gentle spiders who are designing lace now.


Kind Regards

Liz Baker

> On 7 Jan 2014, at 17:55, [email protected] wrote:
> 
> However, there appear to  be some 
> photo copies of patterns/prickings which are in the hands of Diana  Trevor 
> that do not have Miss Channer's name or mark on them and don't appear  ever 
> to have been published by her. In fact, they are not even exactly the same  
> as the photo in the book. One may be part of a collection of patterns given 
> by  Pat Payne to the Alby museum, and one comes from the archive of Vi 
> Bullard.

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